Naz\u0131m Hikmet\u2019in \u201cT\u00fcrk kad\u0131n\u0131n\u0131n sesinin p\u0131rlantas\u0131\u201d dedi\u011fi, ilk T\u00fcrk kad\u0131n opera sanat\u00e7\u0131s\u0131 Semiha Berksoy, ressam Fatma Saime Han\u0131m ile \u015fair Ziya Cenap Berksoy\u2019un \u00e7ocu\u011fu olarak 1910\u2019da \u00c7engelk\u00f6y\u2019de d\u00fcnyaya geldi.<\/p>\n
Hen\u00fcz 8 ya\u015f\u0131ndayken annesini d\u00f6nemin salg\u0131n hastal\u0131\u011f\u0131 \u0130spanyol nezlesinden, daha sonra yan\u0131na ta\u015f\u0131nd\u0131\u011f\u0131 amcas\u0131 Basri Cenap Bey\u2019i veremden kaybeden Berksoy, ilk\u00f6\u011frenimini Kad\u0131k\u00f6y \u0130lkokulu\u2019nda tamamlad\u0131, ortaokulu birincilikle bitirdi.<\/p>\n
\u0130lk \u00f6yk\u00fclerini ilkokuldayken yazan sanat\u00e7\u0131, babas\u0131n\u0131n yeniden evlenmesinin ard\u0131ndan ailesiyle \u00f6nce Sultanahmet\u2019e, sonra Kad\u0131k\u00f6y\u2019e ta\u015f\u0131nd\u0131.<\/p>\n
Buradaki evlerinin kar\u015f\u0131s\u0131nda Ku\u015fdili Tiyatrosu\u2019nun bulunmas\u0131, Berksoy\u2019un sanata y\u00f6nelmesinde etkili oldu.<\/p>\n
Berksoy, liseyi \u0130stanbul K\u0131z Lisesi\u2019nde okudu. Dar\u00fclelhan\u2019\u0131n (Osmanl\u0131 Devleti\u2019nin ilk resmi m\u00fczik okulu) yeniden d\u00fczenlenmesiyle kurulan \u0130stanbul Konservatuvar\u0131\u2019nda 1928\u2019de, Nimet Vahit Han\u0131m ile \u015fan \u00e7al\u0131\u015ft\u0131.<\/p>\n
Halk \u00f6n\u00fcndeki ilk konserini 1929\u2019da veren Berksoy\u2019a, Nikolay Rimski-Korsakov\u2019un Sadko operas\u0131ndan \u00e7e\u015fitli aryalar seslendirdi\u011fi konserde Cemal Re\u015fit Rey e\u015flik etti.<\/p>\n
Sanat\u00e7\u0131, 1929\u2019da, yapt\u0131\u011f\u0131 resimlerle gitti\u011fi G\u00fczel Sanatlar Akademisi Nam\u0131k \u0130smail At\u00f6lyesi\u2019ne, \u00e7al\u0131\u015fmalar\u0131n\u0131n be\u011fenilmesinden dolay\u0131 burslu olarak ba\u015flad\u0131.<\/p>\n
Hayat\u0131 boyunca resim yapmay\u0131, yemek yemek kadar \u00f6nemli g\u00f6ren sanat\u00e7\u0131, avangart tarzdaki modern \u00e7al\u0131\u015fmalara imza att\u0131.<\/p>\n
Kate rol\u00fcyle Dar\u00fclbedayi\u2019nin s\u0131nav\u0131n\u0131 ge\u00e7ti<\/strong><\/p>\n Babas\u0131na yazd\u0131\u011f\u0131 bir mektupta sanat a\u015fk\u0131n\u0131 anlatan Berksoy, \u201cBenim ruhumu s\u00fcr\u00fckleyen, bende alev haline gelen bir \u015fey var, o da sanat a\u015fk\u0131d\u0131r\u201d ifadelerini kullanm\u0131\u015ft\u0131.<\/p>\n Muhsin Ertu\u011frul taraf\u0131ndan a\u00e7\u0131lan Dar\u00fclbedayi Tiyatro Okulu\u2019nun s\u0131nav\u0131na giren Berksoy, William Shakespeare\u2019in \u201cH\u0131r\u00e7\u0131n K\u0131z\u201d yap\u0131t\u0131ndaki \u201cKate\u201d rol\u00fcyle s\u0131nav\u0131 ge\u00e7erek, burada e\u011fitime hak kazand\u0131.<\/p>\n Semiha Berksoy, 1931\u2019de Muhsin Ertu\u011frul\u2019un \u00e7ekti\u011fi ilk sesli T\u00fcrk filmi \u201c\u0130stanbul Sokaklar\u0131nda\u201d ba\u015frolde oynad\u0131, 1932\u2019de Dar\u00fclbedayi\u2019de (\u0130stanbul \u015eehir Tiyatrosu) \u00e7al\u0131\u015fmaya ba\u015flad\u0131 ve \u00e7e\u015fitli oyunlarda rol ald\u0131.<\/p>\n Ba\u015far\u0131l\u0131 sanat\u00e7\u0131, Dar\u00fclbedayi\u2019de sahnelenen T\u00fcrk operetlerinin primadonnas\u0131 (operada ba\u015f kad\u0131n rol\u00fcn\u00fc oynayan sanat\u00e7\u0131) oldu.<\/p>\n Tiyatro \u00f6\u011frencili\u011fi s\u0131ras\u0131nda Naz\u0131m Hikmet Ran ile \u201cKafatas\u0131\u201d piyesinin sahnelenmesi i\u00e7in yap\u0131lan \u00e7al\u0131\u015fmalarda tan\u0131\u015fan Berksoy, Ran\u2019\u0131n yazd\u0131\u011f\u0131 \u201cBu Bir R\u00fcyad\u0131r\u201d operetinde \u201cFatma\u201d rol\u00fcn\u00fc, Cemal Re\u015fit ve Ekrem Re\u015fit Rey\u2019in operetinde \u201cMarlene\u201d rol\u00fcn\u00fc oynad\u0131.<\/p>\n Uzun y\u0131llar mektupla\u015fan Ran ve Berksoy\u2019un mektuplar\u0131, \u201cNaz\u0131m Hikmet ve Tosca\u2019s\u0131 Semiha Berksoy\u201d ad\u0131yla kitapla\u015ft\u0131r\u0131larak okuyucuya sunuldu.<\/p>\n \u201c\u00d6zsoy\u201d operas\u0131nda Ay\u015fim rol\u00fcn\u00fc yorumlad\u0131<\/strong><\/p>\n Berksoy, 19 Haziran 1934\u2019de Ahmed Adnan Saygun\u2019un besteledi\u011fi ilk T\u00fcrk opera temsili \u201c\u00d6zsoy\u201dda yorumlad\u0131\u011f\u0131 \u201cAy\u015fim\u201d rol\u00fcyle dikkatleri \u00fczerine \u00e7ekti ve Atat\u00fcrk\u2019\u00fcn de be\u011fenisini kazand\u0131.<\/p>\n Ressam Fikret Mualla ile 1930\u2019larda tan\u0131\u015fan sanat\u00e7\u0131, Mualla\u2019n\u0131n \u0130kinci D\u00fcnya Sava\u015f\u0131 \u00f6ncesi Fransa\u2019ya gitmesiyle dostluklar\u0131n\u0131 mektuplara ta\u015f\u0131d\u0131.<\/p>\n Semiha Berksoy, daha sonra birbirlerine yazd\u0131klar\u0131 mektuplar\u0131, yollad\u0131klar\u0131 resim ve desenleri yay\u0131na haz\u0131rlayarak, vefat\u0131ndan \u00f6nce k\u0131z\u0131 Zeliha Berksoy\u2019a b\u0131rakt\u0131 ve bu miras \u201c\u0130ki Ayk\u0131r\u0131n\u0131n Mektuplar\u0131\u201d ad\u0131yla okurla bulu\u015ftu.<\/p>\n Ba\u015far\u0131l\u0131 sanat\u00e7\u0131, Ankara Devlet Konservatuvar\u0131\u2019n\u0131n a\u00e7t\u0131\u011f\u0131 s\u0131nav\u0131 kazanarak devlet bursuyla gitti\u011fi Almanya\u2019daki Berlin Devlet Y\u00fcksek M\u00fczik Akademisi Opera b\u00f6l\u00fcm\u00fcn\u00fc 1939\u2019da birincilikle bitirdi.<\/p>\n Ayn\u0131 y\u0131l, \u201cRichard Strauss\u2019un 75. Do\u011fum Y\u0131l\u0131 Festivali\u201dndeki \u201cAriadne auf Naxos\u201d operas\u0131nda \u201cAriadne\u201d ba\u015frol\u00fcn\u00fc oynayan sanat\u00e7\u0131, bu temsille Avrupa\u2019da opera sahnesine \u00e7\u0131kan ilk T\u00fcrk sopranosu unvan\u0131n\u0131 ald\u0131.<\/p>\n Birinci s\u0131n\u0131f dramatik soprano oldu<\/strong><\/p>\n Semiha Berksoy, T\u00fcrkiye\u2019ye 1940\u2019ta d\u00f6nd\u00fc ve ilk konserini Cemal Re\u015fit Rey ile verdi.<\/p>\n Richard Wagner operalar\u0131nda sahne alan Berksoy, 1941\u2019de Ankara\u2019da, Carl Ebert y\u00f6netimindeki \u201cTosca\u201d ve \u201cMadame Butterfly\u201d operalar\u0131nda oynad\u0131.<\/p>\n Sanat\u00e7\u0131n\u0131n \u201cTosca\u201ddaki performans\u0131 profesyonel anlamda ilk opera g\u00f6sterisiydi. Bu ilkler yan\u0131nda sanat\u00e7\u0131 \u201cL\u00fck\u00fcs Hayat\u201d ve \u201cDeli Dolu\u201d operetlerinde de yer ald\u0131.<\/p>\n Ankara Devlet Operas\u0131\u2019n\u0131n kurulmas\u0131nda Carl Ebert ile g\u00f6rev alan Berksoy, 1950\u2019de a\u00e7\u0131lan Devlet Operas\u0131\u2019na solist olarak atand\u0131.<\/p>\n Sanat\u00e7\u0131 1951\u2019de \u201cTiefland \u00c7ukurova Operas\u0131\u201dnda ba\u015frol \u201cMarta\u201dy\u0131 oynad\u0131 ve ses uzman\u0131 A. Lombardie ba\u015fta olmak \u00fczere di\u011fer uzmanlar taraf\u0131ndan devlet operas\u0131 kadrosunda \u201cBirinci S\u0131n\u0131f Dramatik Soprano\u201dolarak belirlendi.<\/p>\n Berksoy\u2019a 1952\u2019de, Carl Ebert taraf\u0131ndan Beethoven\u2019in \u201cFidelio Operas\u0131\u201dnda dramatik soprano \u201cLeonore\u201d ba\u015frol\u00fc verildi.<\/p>\n Opera rejis\u00f6r\u00fc Feridun Altuna y\u00f6netiminde 1961\u2019de \u201cHensel und Gratel\u201d Operas\u0131\u2019n\u0131n pr\u00f6miyerinde \u201cHexe\u201d ba\u015frol\u00fcn\u00fc yorumlayan sanat\u00e7\u0131, 1963\u2019te \u201cK\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 30. Sanat Y\u0131l\u0131 J\u00fcbilesi\u201dnde Verdi\u2019nin \u201cII.Trovatore Operas\u0131\u201dnda \u00fcnl\u00fc \u201cAzucena\u201d rol\u00fcn\u00fc canland\u0131rd\u0131.<\/p>\n Devlet Tiyatrosu\u2019ndaki dramatik oyunlarda da bir\u00e7ok rol alan sanat\u00e7\u0131 1972\u2019de emekli oldu.<\/p>\n 89 ya\u015f\u0131nda New York\u2019ta sahneye \u00e7\u0131kt\u0131<\/strong><\/p>\n New York City Lincoln Center\u2019de, 1999\u2019da 89 ya\u015f\u0131ndayken sahne alan sanat\u00e7\u0131, Robert Wilson\u2019un y\u00f6netimindeki, Umberto Eco\u2019nun eseri \u201cThe Days Before Death, Destruction and Detroit III\u201dte, Tristan ve Isolde Operas\u0131\u2019ndan, Isolde\u2019nin \u201cA\u015fk \u00d6l\u00fcm\u00fc\u201d aryas\u0131n\u0131 seslendirdi.<\/p>\n Refik Epikman ile \u0130smail Hakk\u0131 Toygar Seramik At\u00f6lyesi\u2019nde heykel \u00e7al\u0131\u015fmalar\u0131 yapan, resim ve ger\u00e7ek\u00fcst\u00fc \u00f6yk\u00fc alan\u0131nda da eserler veren Berksoy\u2019un resimleri Berlin, Paris, \u0130stanbul ve New York\u2019un da aralar\u0131nda oldu\u011fu bir\u00e7ok \u015fehirde sergilendi.<\/p>\n Berksoy, 1984\u2019te TBMM taraf\u0131ndan kamu sekt\u00f6r\u00fcnde g\u00f6rev alan ilk kad\u0131n opera sanat\u00e7\u0131s\u0131 olarak, \u201cAtat\u00fcrk Opera \u00d6d\u00fcl\u00fc\u201d, 1961\u2019de Dil Tarih Fak\u00fcltesi\u2019nde \u201cResim \u00d6d\u00fcl\u00fc\u201d ald\u0131.<\/p>\n Kalp rahats\u0131zl\u0131\u011f\u0131 sebebiyle tedavi g\u00f6rd\u00fc\u011f\u00fc hastanede, 15 A\u011fustos 2004\u2019te 94 ya\u015f\u0131ndayken vefat eden sanat\u00e7\u0131, \u00c7engelk\u00f6y\u2019de topra\u011fa verildi. (AA)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" T\u00fcrkiye’nin uluslararas\u0131 alanda tan\u0131nm\u0131\u015f ilk sanat\u00e7\u0131lar\u0131ndan opera sanat\u00e7\u0131s\u0131, ressam ve tiyatro oyuncusu Semiha Berksoy’un vefat\u0131n\u0131n \u00fczerinden 19 y\u0131l ge\u00e7ti.<\/p>\n","protected":false},"author":1,"featured_media":113295,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[188,2248,114,121,3872],"class_list":["post-113294","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-bas","tag-opera","tag-rol","tag-sanat","tag-sanatci"],"_links":{"self":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/113294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=113294"}],"version-history":[{"count":1,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/113294\/revisions"}],"predecessor-version":[{"id":113296,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/113294\/revisions\/113296"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/media\/113295"}],"wp:attachment":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=113294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=113294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=113294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}