{"id":6858,"date":"2022-07-13T09:35:07","date_gmt":"2022-07-13T09:35:07","guid":{"rendered":"https:\/\/haberulus.net\/?p=6858"},"modified":"2022-07-13T09:35:07","modified_gmt":"2022-07-13T09:35:07","slug":"turkiyede-mutlaka-gorulmesi-gereken-11-lahit","status":"publish","type":"post","link":"https:\/\/haberulus.net\/?p=6858","title":{"rendered":"T\u00fcrkiye\u2019de mutlaka g\u00f6r\u00fclmesi gereken 11 lahit"},"content":{"rendered":"

K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131, T\u00fcrkiye’de mutlaka g\u00f6r\u00fclmesi gereken 11 lahit listesi haz\u0131rlad\u0131. “\u00dclkemizdeki m\u00fczelerde d\u00fcnyaca \u00fcnl\u00fc \u00f6rnekleri bulunan bu ihti\u015faml\u0131 eserler ya\u015fam\u0131n, tarihin ve sanat\u0131n \u00f6l\u00fcms\u00fcz detaylar\u0131n\u0131 betimliyor” denilerek yay\u0131nlanan listenin ilk s\u0131ras\u0131nda, \u0130stanbul Arkeoloji M\u00fczesi’nde sergilenen Sidamara Lahdi var.<\/b><\/p>\n

1. S\u0130DAMARA LAHD\u0130-\u0130STANBUL ARKEOLOJ\u0130 M\u00dcZELER\u0130<\/strong><\/p>\n

Sidamara Lahdi, Konya-Ere\u011fli Karaman yolu \u00fczerindeki Ambar k\u00f6y\u00fcnde bulunmu\u015f ve 1901 y\u0131l\u0131nda \u0130stanbul Arkeoloji M\u00fczeleri\u2019ne getirilmi\u015ftir. Eski ad\u0131 Sidamara olan k\u00f6yde bulundu\u011fu i\u00e7in Sidamara ismiyle an\u0131lan ve Milattan Sonra 2-3. y\u00fczy\u0131la ait lahit, 32 tonluk a\u011f\u0131rl\u0131\u011f\u0131 ile d\u00fcnyan\u0131n en a\u011f\u0131r lahdi olarak bilinmektedir. Beyaz mermerden yap\u0131lan lahit, kapak ve sandukadan olu\u015fmaktad\u0131r.<\/p>\n

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2. ALTIKULA\u00c7 LAHD\u0130-TROYA M\u00dcZES\u0130<\/strong><\/p>\n

Alt\u0131kula\u00e7 Lahdi Milattan \u00d6nce 4. y\u00fczy\u0131l\u0131n ba\u015flar\u0131na tarihlenmektedir. Antik Troas b\u00f6lgesinin g\u00fcneydo\u011fusunda \u00c7anakkale \u00c7an il\u00e7esindeki \u00c7ingenetepe T\u00fcm\u00fcl\u00fcs\u00fc\u2019ndeki bir mezar odas\u0131nda 1998 y\u0131l\u0131nda bulunmu\u015ftur. Mermer lahdin \u00fczerindeki boyal\u0131 sahneler \u00e7ok iyi korundu\u011fu i\u00e7in eser b\u00fcy\u00fck bir \u00f6nem ta\u015f\u0131maktad\u0131r. Lahdin M\u00d6 5. y\u00fczy\u0131l\u0131n sonlar\u0131nda burada h\u00fck\u00fcm s\u00fcren Anadolulu bir hanedan i\u00e7in yapt\u0131r\u0131lm\u0131\u015f oldu\u011fu d\u00fc\u015f\u00fcn\u00fclmektedir. Anadolu\u2019da Perslerin gelmesiyle hakim olan sanat anlay\u0131\u015f\u0131n\u0131 en iyi g\u00f6steren nadir \u00f6rneklerden birisidir.<\/p>\n

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3. \u0130SKENDER LAHD\u0130-\u0130STANBUL ARKELOJ\u0130 M\u00dcZELER\u0130<\/strong><\/p>\n

1887 y\u0131l\u0131nda Osman Hamdi Bey\u2019in L\u00fcbnan\u2019daki Sidon (Sayda) Kral Nekropolisi\u2019nde ger\u00e7ekle\u015ftirdi\u011fi kaz\u0131larda bulunmu\u015ftur. Milattan \u00d6nce 4. y\u00fczy\u0131l\u0131n son \u00e7eyre\u011fine tarihlenen lahdin, B\u00fcy\u00fck \u0130skender\u2019e de\u011fil Sidon Krallar\u0131ndan Abdolonymos\u2019a ait oldu\u011fu d\u00fc\u015f\u00fcn\u00fcl\u00fcr. \u0130skender\u2019in \u0130ssos Sava\u015f\u0131\u2019nda Pers Kral\u0131 III. Darius\u2019u ma\u011flup etmesi sonucu kendisine Sidon kap\u0131lar\u0131 a\u00e7\u0131lm\u0131\u015f ve Sidon\u2019a gitti\u011finde Abdolonymos\u2019u Sidon Kral\u0131 olarak tayin etmi\u015ftir. Bu durumun an\u0131s\u0131ndan \u00f6t\u00fcr\u00fc Kral Abdolonymos\u2019un kendi lahdi \u00fczerinde B\u00fcy\u00fck \u0130skender\u2019e ve \u0130ssos Sava\u015f\u0131\u2019ndan bir kesite yer verdi\u011fi d\u00fc\u015f\u00fcn\u00fcl\u00fcr. Lahdin bir uzun cephesinde Yunan ve Pers askerleri birbirlerine kar\u015f\u0131 sava\u015f halinde betimlenmi\u015ftir. At \u00fczerindeki fig\u00fcr\u00fcn, B\u00fcy\u00fck \u0130skender oldu\u011fu anla\u015f\u0131lmaktad\u0131r.<\/p>\n

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4. HERAKLES LAHD\u0130-KONYA ARKEOLOJ\u0130 M\u00dcZES\u0130<\/strong><\/p>\n

1958 y\u0131l\u0131nda Bey\u015fehir Yunuslar\u2019da (Pappa Antik Kenti) bir in\u015faat yap\u0131m\u0131 esnas\u0131nda a\u00e7\u0131\u011fa \u00e7\u0131kan lahit, Anadolu\u2019da \u015fimdiye kadar bulunmu\u015f, y\u00fcksek kabartma tekni\u011finde yap\u0131lan Herakles lahitlerinin en iyi \u00f6rne\u011fidir. Pappa Antik Kenti ileri gelenlerinden birine ait olan lahdin sandukas\u0131n\u0131n bir dar y\u00fcz\u00fcnde \u00f6len ki\u015fi, di\u011fer \u00fc\u00e7 y\u00fcz\u00fcnde ise Herakles\u2019in on iki i\u015fi mitolojisi en ince detay\u0131na kadar betimlenmi\u015ftir.<\/p>\n

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5. A\u011eLAYAN KADINLAR LAHD\u0130-\u0130STANBUL ARKEOLOJ\u0130 M\u00dcZELER\u0130<\/strong><\/p>\n

1887 y\u0131l\u0131nda Osman Hamdi Bey\u2019in L\u00fcbnan\u2019da yer alan Sidon Kral Nekropolisi\u2019nde ger\u00e7ekle\u015fti\u011fi kaz\u0131larda bulunmu\u015ftur. Lahit \u00fczerindeki ikonografik sahne nedeniyle A\u011flayan Kad\u0131nlar olarak isimlendirilmi\u015ftir. Milattan \u00d6nce 350 y\u0131llar\u0131na tarihlenen lahdin, Klasik D\u00f6nem Yunan stilinde \u00fcretilmi\u015f oldu\u011fu ve Atina veya Rodos at\u00f6lyelerinde \u00fcretildikten sonra Sidon\u2019a getirildi\u011fi d\u00fc\u015f\u00fcn\u00fcl\u00fcr. T\u00fcm y\u00fczlerine toplam 18 \u0130on d\u00fczeni s\u00fctun aras\u0131nda, \u00e7e\u015fitli \u015fekillerde tasvir edilmi\u015f, yas tutan kad\u0131nlar yerle\u015ftirilmi\u015ftir.<\/p>\n

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6. AKHILLEUS LAHD\u0130-ADANA M\u00dcZES\u0130<\/strong><\/p>\n

Torre Nova (K\u00fc\u00e7\u00fck Asya Lahitleri) grubuna giren bu lahit, Ge\u00e7 Antoninler D\u00f6nemi \u00f6zelliklerini ta\u015f\u0131maktad\u0131r. Lahdin \u00f6n ve yan y\u00fcz\u00fcndeki tasvirlerde, Homeros\u2019un \u0130lyada Destan\u0131\u2019nda yer alan Truva Sava\u015f\u0131\u2019na at\u0131fta bulunularak; Akhilleus\u2019un yak\u0131n arkada\u015f\u0131 Patroklos\u2019un \u00f6ld\u00fcr\u00fclmesinden duydu\u011fu ac\u0131 ve \u00f6fkeyle, Hektor\u2019un cesedini g\u00fcnlerce yerde s\u00fcr\u00fckletmesi, Hektor\u2019un babas\u0131 Priamus\u2019un o\u011flunun cesedini istemek \u00fczere diz \u00e7\u00f6kerek yalvar\u0131\u015f\u0131 ve Akhilleus\u2019un arkaya do\u011fru \u00e7evirdi\u011fi y\u00fcz\u00fcndeki \u00fcz\u00fcnt\u00fcl\u00fc hal betimlenmi\u015ftir.<\/p>\n

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7. AUREL\u0130A BOT\u0130ANE DEMETR\u0130A LAHD\u0130-ANTALYA M\u00dcZES\u0130<\/strong><\/p>\n

Aurelia Botiane Demetria, Milattan Sonra 2. y\u00fczy\u0131lda Perge\u2019de ya\u015fam\u0131\u015f, kentin ileri gelen yurtta\u015flar\u0131ndand\u0131r. 1997 y\u0131l\u0131nda Perge Bat\u0131 Nekropolisi\u2019nden ka\u00e7ak\u00e7\u0131lar taraf\u0131ndan \u00e7\u0131kar\u0131lm\u0131\u015f ve sat\u0131lmak \u00fczereyken g\u00fcvenlik g\u00fc\u00e7lerince ele ge\u00e7irilmi\u015ftir. Lahdin uzun y\u00fcz\u00fcnde ise Homeros\u2019un \u0130lyada\u2019s\u0131nda anlat\u0131lan Troia Sava\u015f\u2019\u0131nda, Troial\u0131lar ile Akhalar aras\u0131nda ge\u00e7en \u00fc\u00e7 olay\u0131 anlatan sahneler yer almaktad\u0131r.<\/p>\n

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8. L\u0130KYA LAHD\u0130-\u0130STANBUL ARKEOLOJ\u0130 M\u00dcZELER\u0130<\/strong><\/p>\n

1887 y\u0131l\u0131nda Osman Hamdi Bey\u2019in L\u00fcbnan\u2019da yer alan Sidon Kral Nekropolisi\u2019nde ger\u00e7ekle\u015fti\u011fi kaz\u0131larda bulunmu\u015ftur. Sidon\u2019daki kraliyet soyundan gelen y\u00f6neticilerden birine ait oldu\u011fu d\u00fc\u015f\u00fcn\u00fclen lahdin kime ait oldu\u011fu bilinmemektedir. Sandukan\u0131n uzun y\u00fczlerinden birinde yaban domuzu av\u0131 betimlenmi\u015ftir. Milattan \u00d6nce 5. y\u00fczy\u0131la tarihlendirilen lahit, Sidon Kral Nekropol\u00fc\u2019nden \u00e7\u0131kar\u0131lm\u0131\u015f olsa da form olarak Anadolu Likya mezar an\u0131tlar\u0131yla olan benzerli\u011finden \u00f6t\u00fcr\u00fc bu isimle an\u0131lmaktad\u0131r.<\/p>\n

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9. EROSLU LAH\u0130T-S\u0130DE M\u00dcZES\u0130<\/strong><\/p>\n

1947-1966 y\u0131llar\u0131 aras\u0131nda Side Antik Kenti Do\u011fu Nekropol kaz\u0131s\u0131nda bir an\u0131t mezar\u0131n i\u00e7inde bulunmu\u015ftur. Her y\u00f6n\u00fcnde eroslar\u0131n tasvir edildi\u011fi \u00f6nemli lahitler aras\u0131nda g\u00f6sterilmektedir. Kanatl\u0131 eroslar ayakta durmakta, meyve ta\u015f\u0131makta, i\u00e7ki i\u00e7mekte ve sarho\u015f olarak birbirine sar\u0131lmaktad\u0131rlar. Milattan Sonra 2. y\u00fczy\u0131l\u0131n son yar\u0131s\u0131na tarihlendirilmektedir. Eroslar\u0131n lahitdeki tasvirleri, Roma \u0130mparatorluk d\u00f6neminde \u00e7ok geni\u015f bir alana yay\u0131lm\u0131\u015f Dionysos mitleri ve \u00f6l\u00fcmden sonra ba\u015fka bir d\u00fcnyada ya\u015fama \u00fcmitleri ile ilgilidir.<\/p>\n

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10. D\u0130ONYS\u0130AK LAHD\u0130-ANTALYA M\u00dcZES\u0130<\/strong><\/p>\n

Dionysiak Lahdi, Perge Bat\u0131 Nekropolisi\u2019nde 2003 y\u0131l\u0131 kaz\u0131lar\u0131nda bulunmu\u015ftur. Pentelikon mermerinden yap\u0131lm\u0131\u015f olan lahdin \u00fczerinde \u00f6l\u00fc portreleri bulunan klineli bir kapa\u011f\u0131 vard\u0131r. Milattan Sonra 3. y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131na tarihlendirilebilir. \u00d6n y\u00fczde \u0130lyada\u2019da ge\u00e7en bir mitosun betimi bulunmaktad\u0131r. Lahdin k\u0131sa y\u00fczlerindeki fig\u00fcrlerin belden a\u015fa\u011f\u0131 korunagelmi\u015ftir. \u00dcst k\u0131s\u0131mlar ise mezar soygununda tahrip edilmi\u015ftir.<\/p>\n

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11. POLYKSENA LAHD\u0130-TROYA M\u00dcZES\u0130<\/strong><\/p>\n

Polyksena Lahdi, \u00c7anakkale K\u0131z\u00f6ld\u00fcn T\u00fcm\u00fcl\u00fcs\u00fc\u2019nde 1994 y\u0131l\u0131nda bir ka\u00e7ak kaz\u0131 ihbar\u0131 \u00fczerine yap\u0131lan kurtarma kaz\u0131s\u0131nda bulunmu\u015ftur. Milattan \u00d6nce 6. y\u00fczy\u0131la ait olup Anadolu\u2019da, bug\u00fcne kadar bulunan fig\u00fcrsel anlat\u0131ml\u0131 lahitlerin en erken \u00f6rne\u011fidir. Uzun kenarlar\u0131ndan birinde, Troya Kral\u0131 Priamos ile krali\u00e7e Hekabe\u2019nin k\u00fc\u00e7\u00fck k\u0131zlar\u0131 olan Polyksena\u2019n\u0131n kurban edilmesi olay\u0131 betimlenmi\u015ftir. Bu nedenle eser Polyksena Lahdi olarak an\u0131lmaktad\u0131r.<\/p>\n

\"\"<\/div>\n","protected":false},"excerpt":{"rendered":"

K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131, T\u00fcrkiye’de mutlaka g\u00f6r\u00fclmesi gereken 11 lahit listesi haz\u0131rlad\u0131. “\u00dclkemizdeki m\u00fczelerde d\u00fcnyaca \u00fcnl\u00fc \u00f6rnekleri …<\/p>\n","protected":false},"author":1,"featured_media":6859,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[2246,698,136,135,881],"class_list":["post-6858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-bulunmus","tag-kazi","tag-lahit","tag-muzesi","tag-yilinda"],"_links":{"self":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/6858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6858"}],"version-history":[{"count":1,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/6858\/revisions"}],"predecessor-version":[{"id":6860,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/6858\/revisions\/6860"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/media\/6859"}],"wp:attachment":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}