Unutulmaz sanat\u00e7\u0131 Ayten Alpman, Devlet Tiyatrolar\u0131 m\u00fcfetti\u015fi Fahrettin Alpman\u2019\u0131n k\u0131z\u0131 olarak 10 Ekim 1929\u2019da, \u0130stanbul\u2019da d\u00fcnyaya geldi. K\u00fc\u00e7\u00fck ya\u015flarda anne ve babas\u0131 ayr\u0131lan sanat\u00e7\u0131, Ni\u015fanta\u015f\u0131 K\u0131z Lisesi\u2019nde \u00f6\u011frenciyken tan\u0131\u015ft\u0131\u011f\u0131 \u0130lham Gencer sayesinde m\u00fczi\u011fe ilgi duydu.<\/p>\n
\u00d6nce \u0130ngilizce \u015fark\u0131lar s\u00f6yleyen Alpman, \u00fcvey babas\u0131n\u0131n i\u015fi sebebiyle gittikleri Malatya\u2019da bir ay kald\u0131ktan sonra, \u0130stanbul\u2019da ya\u015fayan anneannesinin yan\u0131na ta\u015f\u0131nd\u0131.<\/p>\n
Sanat\u00e7\u0131, m\u00fczi\u011fe ilgisi nedeniyle dersleri k\u00f6t\u00fcye gidince, Erenk\u00f6y K\u0131z Lisesi\u2019ne devam etti.<\/p>\n
Liseden mezun olduktan sonra \u0130lham Gencer\u2019in solistlik \u00f6nerisiyle \u0130stanbul Radyosu\u2019nda program yapmaya ba\u015flad\u0131.<\/p>\n
\u2018You Are Always In My Heart\u2019 adl\u0131 \u015fark\u0131y\u0131 radyoda yorumlayan Alpman, verdi\u011fi bir r\u00f6portajda o g\u00fcnleri \u015f\u00f6yle anlatm\u0131\u015ft\u0131:<\/p>\n
\u201c\u0130lham\u2019la ba\u011f\u0131m\u0131z hi\u00e7 kopmam\u0131\u015ft\u0131. O s\u0131ralarda, 1949\u2019da \u0130stanbul Radyosu a\u00e7\u0131ld\u0131. \u0130lham geldi, \u2018Radyoda bize 15 dakika verdiler. Her \u00e7ar\u015famba iki par\u00e7a \u00e7alaca\u011f\u0131z. \u0130ki par\u00e7a da sen s\u00f6yleyeceksin\u2019 dedi. Apar topar radyo programlar\u0131na ba\u015flad\u0131k. Derken gen\u00e7li\u011fin sevgilisi olduk mu? O s\u0131ralar \u0130stanbul\u2019da hi\u00e7 T\u00fcrk \u015fark\u0131c\u0131 yok. \u0130lk kad\u0131n \u015fark\u0131c\u0131 Sevin\u00e7 Tevs\u2019di. Ona \u00e7ok \u00f6zeniyordum. Arkadan R\u00fc\u00e7han \u00c7amay \u00e7\u0131kt\u0131. Ben \u00fc\u00e7\u00fcnc\u00fcy\u00fcm.\u201d Ayten Alpman, sahneye ilk kez Taksim Belediye Gazinosu\u2019nda d\u00fczenlenen bir t\u0131p balosunda \u00e7\u0131kt\u0131.<\/p>\n Arif Mardin\u2019in y\u00f6nlendirmesiyle caz \u015fark\u0131lar\u0131 s\u00f6yleyen sanat\u00e7\u0131, profesyonel sahne \u00e7al\u0131\u015fmas\u0131na ise 1952\u2019de Ye\u015filk\u00f6y Deniz Park Oteli\u2019nde ba\u015flad\u0131, 3 ay sonra Kervansaray Gece Kul\u00fcb\u00fc\u2019ne ge\u00e7ti.<\/p>\n Sanat\u00e7\u0131n\u0131n, 1953\u2019te evlendi\u011fi \u0130lham Gencer\u2019den Ay\u015fe ve \u0130lhan isimli iki \u00e7ocu\u011fu oldu.<\/p>\n Gencer\u2019in \u00c7at\u0131 Gece Kul\u00fcb\u00fc\u2019n\u00fc kurmas\u0131n\u0131n ard\u0131ndan orada sahne almaya ba\u015flayan sanat\u00e7\u0131, ilk pla\u011f\u0131 \u2018Sayanora\/Passion Flower\u2019\u0131 1959\u2019da yay\u0131nlad\u0131.<\/p>\n Alpman ve Gencer\u2019in evlili\u011fi 1960\u2019ta sona erdi.<\/p>\n M\u00fczi\u011fe \u0130smet S\u0131ral Orkestras\u0131 ile devam eden sanat\u00e7\u0131, 1963\u2019te gitti\u011fi \u0130sve\u00e7\u2019te iki y\u0131l S\u0131ral ile bir y\u0131l da ba\u015fka bir caz orkestras\u0131yla sahne ald\u0131.<\/p>\n T\u00fcrkiye\u2019ye d\u00f6nd\u00fc\u011f\u00fcnde, yabanc\u0131 \u015fark\u0131lara T\u00fcrk\u00e7e s\u00f6zl\u00fc uyarlama modas\u0131 ba\u015flasa da Alpman caz \u015fark\u0131lar\u0131 s\u00f6ylemeyi bir s\u00fcre daha s\u00fcrd\u00fcrd\u00fc.<\/p>\n Aranjman uyarlamalar\u0131n\u0131n \u00f6nc\u00fcs\u00fc Fecri Ebcio\u011flu\u2019nun \u0131srar\u0131yla bu furyaya daha fazla direnemeyen sanat\u00e7\u0131, uyarlama eserlerin yer ald\u0131\u011f\u0131 \u2018\u0130nan Bana\/Ayr\u0131ld\u0131k Yaln\u0131z\u0131m\u2019 adl\u0131 45\u2019lik pla\u011f\u0131 1967\u2019de m\u00fczikseverlerle bulu\u015fturdu.<\/p>\n Sezen Cumhur \u00d6nal ile birka\u00e7 45\u2019lik yapan Alpman\u2019\u0131n Ebcio\u011flu ile yapt\u0131\u011f\u0131 \u2018Sensiz Olmam\u2019 \u015fark\u0131s\u0131 b\u00fcy\u00fck ilgi g\u00f6rd\u00fc.<\/p>\n S\u00f6zlerini Fikret \u015eene\u015f\u2019in yazd\u0131\u011f\u0131, Alpman\u2019\u0131n 1972\u2019de seslendirdi\u011fi \u2018Bir Ba\u015fkad\u0131r Benim Memleketim\u2019 \u015fark\u0131s\u0131n\u0131n oldu\u011fu plak ilgi g\u00f6rmedi. Ancak \u015fark\u0131, 1974\u2019teki K\u0131br\u0131s \u00c7\u0131kartmas\u0131\u2019nda TRT\u2019de \u00e7ok s\u0131k \u00e7al\u0131n\u0131nca, yeniden 45\u2019lik olarak piyasaya s\u00fcr\u00fcld\u00fc ve b\u00fcy\u00fck sat\u0131\u015f rakamlar\u0131na ula\u015ft\u0131.<\/p>\n Mireille Mathieu\u2019nun Frans\u0131zca seslendirdi\u011fi eser, Alpman\u2019la \u00f6zde\u015fle\u015fti.<\/p>\n \u201cM\u00fczik bitmeyecek bir ihtiya\u00e7\u201d<\/strong><\/p>\n \u00dcnl\u00fc sanat\u00e7\u0131, 1953\u2019te \u2018A\u015fk Izd\u0131rabt\u0131r\u2019 ve 1974\u2019te \u2018Tek Ba\u015f\u0131na\u2019 adl\u0131 filmlerde rol ald\u0131. \u2018\u0130stersen\u2019, \u2018Sensiz Olmam\u2019, \u2018Tek Ba\u015f\u0131na\u2019, \u2018Yan\u0131mda Olsan\u2019, \u2018Ben Var\u0131m\u2019, \u2018Ben B\u00f6yleyim\u2019 ve \u2018Yaz Ya\u011fmuru\u2019 isimli \u015fark\u0131lara imza att\u0131.<\/p>\n \u0130ki uzun\u00e7alar (longplay) da yapan Alpman, son profesyonel sahne \u00e7al\u0131\u015fmas\u0131n\u0131 1990\u2019da \u0130stanbul Yenik\u00f6y Bilsak Kul\u00fcb\u00fc\u2019nde ger\u00e7ekle\u015ftirdi.<\/p>\n Ayten Alpman, m\u00fczi\u011fi b\u0131rakt\u0131ktan sonra verdi\u011fi bir r\u00f6portajda \u015funlar\u0131 kaydetmi\u015fti:<\/p>\n \u201c65 ya\u015f\u0131nday\u0131m, son be\u015f y\u0131ld\u0131r konser hari\u00e7 hi\u00e7 \u015fark\u0131 s\u00f6ylemedim. T\u00fcm ya\u015fam\u0131m m\u00fczikle i\u00e7 i\u00e7e ge\u00e7ti. Ama ben halen kim oldu\u011fuma karar veremedim. Niye bu d\u00fcnyaya geldim, ne yap\u0131yorum halen tam olarak bilemiyorum. M\u00fczik nedir diye soruyorsunuz. Bak\u0131n bunun cevab\u0131n\u0131 vermek \u00e7ok zor. M\u00fczik insan\u0131n ya\u015fam\u0131, hayat\u0131, k\u0131sacas\u0131 her \u015feyidir. M\u00fcziksiz bir hayat olmaz. Mutsuz da mutlu da olsam m\u00fczik dinlerim. Yemek i\u00e7mek ne ise m\u00fczik de o i\u015fte. Bitmeyecek bir ihtiya\u00e7, ya\u015fam\u0131n s\u00fcrmesi i\u00e7in gereken bir \u015fey.<\/p>\n Caz nedir diye soruyorsunuz, caz benim 40 senemi verip de halen anlayamad\u0131\u011f\u0131m bir m\u00fcziktir. \u0130nsanlar\u0131n beni aptal sanmas\u0131n\u0131 istemiyorum. Ama caz\u0131 s\u00f6kmek ve i\u00e7ine girebilmek, ger\u00e7ekten zordur. Dinlerken bir \u015feyler anlars\u0131n ama \u00e7alan ile konu\u015funca bamba\u015fka \u015feyler sana s\u00f6yleyebilir. Caz\u0131n \u00f6yk\u00fclerini anlamak zordur.\u201d<\/p>\n \u0130stanbul K\u00fclt\u00fcr Sanat Vakf\u0131 (\u0130KSV) taraf\u0131ndan 2007\u2019de d\u00fczenlenen \u0130stanbul Caz Festivali\u2019nde \u2018Ya\u015fam Boyu Ba\u015far\u0131 \u00d6d\u00fcl\u00fc\u2019 alan sanat\u00e7\u0131, akci\u011fer yetmezli\u011fi nedeniyle 20 Nisan 2012\u2019de 83 ya\u015f\u0131nda vefat etti.<\/p>\n Ayten Alpman\u2019\u0131n alb\u00fcmlerinden baz\u0131lar\u0131 \u015funlar:<\/strong><\/p>\n \u201c\u0130nan Bana\/Ayr\u0131ld\u0131k Yaln\u0131z\u0131m\u201d (1967), \u201cSeni Unutmak Senden Ka\u00e7mak \u0130stiyorum\/Kim Demi\u015f A\u015fk Yaland\u0131r Diye\u201d (1967), \u201cBu Sana Son Sesleni\u015fim\/Sevmedim Hayat\u0131\u201d (1967), \u201cSensiz Olamam\/Aynalar Aynalar\u201d (1970), \u201cBir Ba\u015fkad\u0131r Benim Memleketim\/Ya\u015famak \u0130\u00e7in\u201d (1971), \u201cMemleketim\/Unutsana\u201d (1973), \u201cBen Y\u00fcr\u00fcr\u00fcm Yana Yana\/Irakt\u0131r Yollar\u0131n\u201d (1974), \u201cBen B\u00f6yleyim\u201d (1976), \u201cSon Bir Defa\/Neden Sanki Bu D\u00fcnya Dar Geliyor \u0130nsana\u201d (1977), \u201cEski 45\u2019likler\u201d (1999), \u201cBir Ba\u015fkad\u0131r Ayten Alpman\u201d (2007) (AA)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" ‘Memleketim’, ‘Anlamazd\u0131n’, ‘Ben B\u00f6yleyim’ ve ‘Ben Var\u0131m’ adl\u0131 eserlerle hat\u0131rlanan caz sanat\u00e7\u0131s\u0131 Ayten Alpman vefat\u0131n\u0131n 11. y\u0131l\u0131nda yad ediliyor.<\/p>\n","protected":false},"author":1,"featured_media":77406,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[8490,96,3042,3872,699],"class_list":["post-77405","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-caz","tag-istanbul","tag-muzik","tag-sanatci","tag-sarki"],"_links":{"self":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/77405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=77405"}],"version-history":[{"count":1,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/77405\/revisions"}],"predecessor-version":[{"id":77407,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/77405\/revisions\/77407"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/media\/77406"}],"wp:attachment":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=77405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=77405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=77405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Sahneye ilk kez Taksim\u2019de \u00e7\u0131kt\u0131<\/strong><\/p>\n