{"id":78428,"date":"2023-04-21T07:07:06","date_gmt":"2023-04-21T07:07:06","guid":{"rendered":"https:\/\/haberulus.net\/?p=78428"},"modified":"2023-04-21T07:07:06","modified_gmt":"2023-04-21T07:07:06","slug":"kemal-tahir-vefatinin-50-yilinda-aniliyor","status":"publish","type":"post","link":"https:\/\/haberulus.net\/?p=78428","title":{"rendered":"Kemal Tahir vefat\u0131n\u0131n 50. y\u0131l\u0131nda an\u0131l\u0131yor"},"content":{"rendered":"

As\u0131l ad\u0131 \u0130smail Kemalettin Demir olan usta yazar, \u201cNotlar\u201d isimli eserindeki bilgiye g\u00f6re 15 Nisan 1910\u2019da \u0130stanbul\u2019da d\u00fcnyaya geldi.<\/p>\n

Alayl\u0131 bir deniz subay\u0131 ve Abd\u00fclhamid\u2019in h\u00fcnkar yaverli\u011fini yapm\u0131\u015f y\u00fczba\u015f\u0131 Tahir Bey ile Nuriye Han\u0131m\u2019\u0131n o\u011flu olan Kemal Tahir, ilkokul y\u0131llar\u0131n\u0131, babas\u0131n\u0131n g\u00f6revi dolay\u0131s\u0131yla farkl\u0131 illerde ge\u00e7irdi.<\/p>\n

Yazar Tahir, 1922\u2019de yeniden \u0130stanbul\u2019a geldi, 1923\u2019te Kas\u0131mpa\u015fa\u2019daki Cezayirli Ha\u015fan Pa\u015fa R\u00fc\u015ftiyesi\u2019ni bitirdi.<\/p>\n

T\u00fcrk edebiyat\u0131n\u0131n \u00fcretken, ger\u00e7ek\u00e7i ve nesnel yazarlar\u0131ndan biri olan Kemal Tahir, Galatasaray Lisesi\u2019ndeki e\u011fitimini, annesinin vefat\u0131 \u00fczerine yar\u0131m b\u0131rakt\u0131, \u00e7al\u0131\u015fma hayat\u0131na at\u0131ld\u0131.<\/p>\n

Annesinin vefat\u0131ndan \u00e7ok etkilenen ve cenazesine kat\u0131lmayan Tahir, ona \u00f6zlemini \u201c\u0130nsan, annesine ne g\u00fczel \u015f\u0131mar\u0131r. Ben bu anne bahsinde, anneme hi\u00e7bir zaman lay\u0131k\u0131yla doymu\u015f olmamam\u0131n azab\u0131n\u0131 \u00e7ekerim. Bu sebeple anneleri ya\u015fayan dostlar\u0131m\u0131n anneleri topyek\u00fcn benim annelerim gibiydiler\u201d ifadeleriyle dile getirmi\u015fti.<\/p>\n

1932\u2019DE \u201cGE\u00c7\u0130T\u201d\u0130 OKURLA BULU\u015eTURDU<\/strong><\/p>\n

Kemal Tahir, 1928-1932\u2019de avukat katipli\u011finin yan\u0131 s\u0131ra Zonguldak K\u00f6m\u00fcr \u0130\u015fletmeleri\u2019nde ambar memurlu\u011fu yaparken, edebi hayata ilk olarak 1932-1934\u2019te at\u0131ld\u0131.<\/p>\n

T\u00fcrk edebiyat\u0131nda \u201cromanc\u0131\u201d olarak \u00fcn kazanan Tahir, edebiyat hayat\u0131na roman ve hikayelerle de\u011fil, daha \u00e7ok sosyal konular\u0131 i\u015fleyen \u015fiirleriyle ba\u015flad\u0131.<\/p>\n

Eserlerinde Anadolu, Kurtulu\u015f Sava\u015f\u0131 y\u0131llar\u0131 ve Osmanl\u0131 tarihi gibi konular\u0131 i\u015fleyen yazar, \u015fiir t\u00fcr\u00fcyle ilgilendi\u011fi ilk zamanlarda, \u00e7e\u015fitli takma adlarla \u201c\u0130\u00e7tihad\u201d, \u201cYeni K\u00fclt\u00fcr\u201d, \u201cGe\u00e7it\u201d, \u201cKarikat\u00fcr\u201d ve \u201cYedig\u00fcn\u201d dergilerinde yazd\u0131.<\/p>\n

Ba\u015far\u0131l\u0131 edebiyat\u00e7\u0131, Yakup Sabri, Ertu\u011frul \u015eevket, \u0130smail Safa ve Arif Nihat Asya ile 10 Ekim 1932\u2019den 14 Temmuz 1934\u2019e, 7 say\u0131 \u00e7\u0131kard\u0131\u011f\u0131 sanat dergisi \u201cGe\u00e7it\u201dte ilk \u015fiirlerini kaleme ald\u0131.<\/p>\n

Kemal Tahir, 1932\u2019de hayat\u0131n\u0131n \u00f6nemli bir b\u00f6l\u00fcm\u00fcn\u00fc te\u015fkil eden gazetecili\u011fe ba\u015flad\u0131.<\/p>\n

Mesle\u011fin etkilerini, romanlar\u0131ndaki \u201cMurat\u201d karakteri vas\u0131tas\u0131yla yans\u0131tt\u0131.<\/p>\n

\u201cVakit\u201d, \u201cHaber\u201d, \u201cSon Posta\u201d gazetelerinde 1932-1938\u2019de redakt\u00f6r, r\u00f6portaj yazar\u0131 ve terc\u00fcman olarak \u00e7al\u0131\u015fan usta kalem, daha sonra g\u00f6rev yapt\u0131\u011f\u0131 \u201cYedi G\u00fcn\u201d ve \u201cKarikat\u00fcr\u201d dergilerinde sekreterlik, \u201cKarag\u00f6z\u201d gazetesinde ba\u015fyazarl\u0131k ve \u201cTan\u201d gazetesinde yaz\u0131 i\u015fleri m\u00fcd\u00fcrl\u00fc\u011f\u00fc yapt\u0131.<\/p>\n

HAP\u0130SHANE YILLARI KEND\u0130S\u0130 \u0130\u00c7\u0130N G\u00d6ZLEM YER\u0130 OLDU<\/strong><\/p>\n

Yazar Tahir, 1934\u2019te \u00e7\u0131kan soyad\u0131 kanunuyla \u201cTipi\u201d soyad\u0131n\u0131 ald\u0131. Fakat bu soyad\u0131n\u0131 uzun s\u00fcre kullanmayarak sonraki y\u0131llarda \u201cDemir\u201d ve \u201cBenerci\u201d soyadlar\u0131n\u0131 ald\u0131.<\/p>\n

\u0130ktisadi konularda telif ve \u00e7eviri yaz\u0131lar yay\u0131mlayan Tahir, 12 A\u011fustos 1937\u2019de, \u0130zmir\u2019de \u00f6\u011fretmen Fatma \u0130rfan Akersin ile ilk evlili\u011fini yapt\u0131. \u00c7ift 1940\u2019ta ayr\u0131ld\u0131.<\/p>\n

Astsubay karde\u015fi Nuri Tahir\u2019e, Sabahattin Ali\u2019nin bir \u00f6yk\u00fc kitab\u0131n\u0131 vermesinin ard\u0131ndan, \u201caskeri isyana te\u015fvik\u201d su\u00e7lamas\u0131yla Naz\u0131m Hikmet ve Hikmet K\u0131v\u0131lc\u0131ml\u0131 ile yarg\u0131lanan edebiyat\u00e7\u0131, dava nedeniyle 1938\u2019de tutuklanarak 15 y\u0131l hapis cezas\u0131na \u00e7arpt\u0131r\u0131ld\u0131.<\/p>\n

\"\"<\/p>\n

\u0130stanbul Tevkifhanesi ile \u00c7ank\u0131r\u0131, Malatya ve \u00c7orum hapishanelerinde yatan Tahir, 1949\u2019da Nev\u015fehir Cezaevi\u2019ne nakledilmesinin ard\u0131ndan 1950\u2019de genel afla tahliye edildi. Ayn\u0131 y\u0131l Semiha S\u0131d\u0131ka Han\u0131m ile ikinci evlili\u011fini yapt\u0131.<\/p>\n

Cezaevi y\u0131llar\u0131 Kemal Tahir\u2019in ger\u00e7ek anlamda bir romanc\u0131 kimli\u011fi kazanmaya ba\u015flad\u0131\u011f\u0131 y\u0131llar oldu. Cezaevinden \u00e7\u0131kt\u0131ktan sonra me\u015fhur sar\u0131 defterlerini olu\u015fturan d\u00f6rt bin sayfal\u0131k roman notuyla \u0130stanbul\u2019a d\u00f6nen Tahir, bunun yan\u0131nda cezaevlerinde tan\u0131kl\u0131k etti\u011fi kimseleri ve olaylar\u0131 kurgusunun temel malzemesi haline getirdi.<\/p>\n

\u201cKelleci Memet\u201d, \u201cEsir \u015eehrin Mahpusu\u201d, \u201cNamuscular\u201d, \u201cKar\u0131lar Ko\u011fu\u015fu\u201d, \u201cDama\u011fas\u0131\u201d gibi romanlar, Tahir\u2019in kald\u0131\u011f\u0131 hapishanelerde ge\u00e7en eserler oldu. \u201cSa\u011f\u0131rdere\u201d, \u201cK\u00f6rduman\u201d, \u201cYedi\u00e7\u0131nar Yaylas\u0131\u201d, \u201cK\u00f6y\u00fcn Kamburu\u201d, \u201cB\u00fcy\u00fck Mal\u201d, \u201cRahmet Yollar\u0131 Kesti\u201d ve \u201cBozk\u0131rdaki \u00c7ekirdek\u201dte ise romanlardaki esas mekan s\u00f6z konusu hapishanelerin bulundu\u011fu \u015fehirlerdi.<\/p>\n

Tahir, daha sonra \u00e7e\u015fitli takma adlarla \u201cKastil B\u00fcy\u00fcc\u00fcs\u00fc\u201d, \u201cSaygon Geceleri\u201d, \u201cDeh\u015fet Yolcular\u0131\u201d ve \u201cMayk Hammer\u201d dizisini \u00e7evirdi.<\/p>\n

\u201cF. M.\u201d takma ad\u0131yla \u00e7evirdi\u011fi Mayk Hammer romanlar\u0131n\u0131n g\u00f6rd\u00fc\u011f\u00fc ilgi \u00fczerine, bu kitaplar\u0131n benzerlerini kaleme alan Tahir\u2019in kendi kitaplar\u0131 \u00e7evirilerden daha fazla ra\u011fbet g\u00f6rmeye ba\u015flad\u0131. Yine bu d\u00f6nemde \u201cEsir \u015eehrin \u0130nsanlar\u0131\u201d roman\u0131, 1953\u2019te Nurettin Demir ismiyle \u0130stanbul gazetesinde yay\u0131nland\u0131.<\/p>\n

\u201cKemal Tahir\u201d ad\u0131n\u0131 1954\u2019e kadar eserlerinde kullanamayan yazar, bir s\u00fcre \u0130zmir Ticaret gazetesinin \u0130stanbul temsilcili\u011fini y\u00fcr\u00fct\u00fcrken, \u201cG\u00f6l \u0130nsanlar\u0131\u201dn\u0131 1955\u2019te kitap haline getirdi.<\/p>\n

1955\u2019TEN SONRA YAYIMLADI\u011eI ESERLER\u0130YLE TANINDI<\/strong><\/p>\n

\u201cEsir \u015eehrin \u0130nsanlar\u0131\u201dn\u0131 1956\u2019da \u00e7e\u015fitli d\u00fczenlemeler yaparak yeniden yay\u0131nlayan usta edebiyat\u00e7\u0131, 1957\u2019ye kadar \u00e7e\u015fitli gazete ve yay\u0131n evlerinde \u00e7al\u0131\u015ft\u0131. Daha sonra Aziz Nesin ile D\u00fc\u015f\u00fcn Yay\u0131nevi\u2019ni kurdu.<\/p>\n

K\u00f6y romanlar\u0131n\u0131n prototipi olarak g\u00f6r\u00fclen \u201cG\u00f6l \u0130nsanlar\u0131\u201d, Kemal Tahir\u2019i romanc\u0131 olma noktas\u0131nda cesaretlendirirken, Tahir\u2019in ilk roman\u0131 1955\u2019te kaleme ald\u0131\u011f\u0131 \u201cSa\u011f\u0131rdere\u201d oldu.<\/p>\n

Kemal Tahir, 1960\u2019tan sonra tamamen edebiyata y\u00f6neldi ve hayat\u0131n\u0131 romanlar\u0131ndan elde etti\u011fi gelirle s\u00fcrd\u00fcrmeye ba\u015flad\u0131, eserlerinde Osmanl\u0131 d\u00f6nemi, Me\u015frutiyet ve Cumhuriyet d\u00f6nemi, tek parti iktidar\u0131, k\u00f6y enstit\u00fcleri ve Asya tipi \u00fcretim tarz\u0131 gibi konular\u0131 ele ald\u0131.<\/p>\n

Yak\u0131n arkada\u015flar\u0131 Metin Erksan, Halit Refi\u011f ve At\u0131f Y\u0131lmaz ile film senaryolar\u0131 \u00fczerine de \u00e7al\u0131\u015fan Tahir\u2019in katk\u0131 sundu\u011fu senaryolardan, At\u0131f Y\u0131lmaz\u2019\u0131n y\u00f6netti\u011fi \u201cYar\u0131n Bizimdir\u201d 1963\u2019te, Halit Refi\u011f\u2019in y\u00f6netti\u011fi \u201cHaremde D\u00f6rt Kad\u0131n\u201d 1965\u2019te, Memduh \u00dcn\u2019\u00fcn y\u00f6netti\u011fi \u201cNamusum \u0130\u00e7in\u201d filmi ise 1966\u2019da \u00e7ekildi.<\/p>\n

\u201cDEVLET ANA\u201d EDEB\u0130YAT D\u00dcNYASINDA B\u00dcY\u00dcK YANKI BULDU<\/strong><\/p>\n

Kemal Tahir, 1965\u2019te \u201cYorgun Sava\u015f\u00e7\u0131\u201d eserinin ard\u0131ndan edebiyat hayat\u0131nda yeni bir d\u00f6neme i\u015faret etti. Bu d\u00f6nem, yazar\u0131n fikirlerinin kesin hatlarla olgunla\u015ft\u0131\u011f\u0131 son evre oldu.<\/p>\n

Ard\u0131ndan \u201cDevlet Ana\u201d, \u201cBozk\u0131rdaki \u00c7ekirdek\u201d ve sa\u011fl\u0131\u011f\u0131nda yay\u0131mlanan son roman\u0131 \u201cYol Ayr\u0131m\u0131\u201d eserlerini kaleme alan yazar, \u201cYorgun Sava\u015f\u00e7\u0131\u201d, \u201cDevlet Ana\u201d ve \u201cYol Ayr\u0131m\u0131\u201d eserlerinde i\u00e7erik bak\u0131m\u0131ndan tarihe y\u00f6neldi ve hatta tarihle hesapla\u015ft\u0131.<\/p>\n

Tahir, bu evrede art\u0131k Do\u011fu ile Bat\u0131 toplumlar\u0131n\u0131n birbirlerinden farkl\u0131 oldu\u011fu ger\u00e7e\u011fini, d\u00fc\u015f\u00fcncelerinin temeline, bilhassa da geli\u015ftirmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 Do\u011fu-Bat\u0131 \u00e7at\u0131\u015fmas\u0131 teorisinin merkezine yerle\u015ftirdi.<\/p>\n

Yazar\u0131n d\u00fc\u015f\u00fcncesine g\u00f6re, tarihteki i\u015fleviyle Do\u011fu\u2019yu temsil eden Osmanl\u0131 Devleti\u2019ydi. \u201cOsmanl\u0131\u2019n\u0131n ana g\u00f6revi, Do\u011fu-Bat\u0131 \u00e7at\u0131\u015fmas\u0131nda Bat\u0131\u2019ya kar\u015f\u0131 Do\u011fu\u2019yu korumakt\u0131r\u201d diyen yazar, bu g\u00f6r\u00fc\u015f\u00fcn\u00fc notlar\u0131nda, \u201cOsmanl\u0131\u2019n\u0131n tarih y\u00fcz\u00fcne \u00e7\u0131k\u0131\u015f\u0131, y\u00fcklendi\u011fi, y\u00fcklenmek zorunda bulundu\u011fu misyon nedeniyledir. Bu misyon, bulundu\u011fu m\u0131nt\u0131kay\u0131, bu m\u0131nt\u0131kan\u0131n gerilerini, Do\u011fulular\u0131, soyguncu Bat\u0131\u2019ya kar\u015f\u0131 savunma g\u00f6revidir. Osmanl\u0131 bu g\u00f6revin \u015fuuruna varm\u0131\u015f, onun y\u00fcceli\u011fini kavram\u0131\u015ft\u0131r.\u201d ifadeleriyle \u00f6zetlemi\u015fti.<\/p>\n

Cumhuriyet d\u00f6nemi T\u00fcrk edebiyat\u0131n\u0131n kurucular ku\u015fa\u011f\u0131 aras\u0131nda olan ve imparatorluk y\u0131llar\u0131n\u0131 eserlerinde anlatan Tahir, Halit Refi\u011f\u2019in iste\u011fi \u00fczerine \u201cDevlet Ana\u201dy\u0131 ilk olarak bir film \u015feklinde kaleme alsa da daha sonra eser romana do\u011fru evrildi.<\/p>\n

\u0130smini \u00f6nceleri \u201cOsmanl\u0131 \u00c7ekirde\u011fi\u201d veya \u201cDerin Ge\u00e7it\u201d olarak d\u00fc\u015f\u00fcnen Kemal Tahir\u2019in \u201cDevlet Ana\u201d ad\u0131yla 1967\u2019de yay\u0131nlanan roman\u0131 hem edebiyat d\u00fcnyas\u0131nda hem de g\u00fcndemde b\u00fcy\u00fck bir yank\u0131 buldu.<\/p>\n

T\u00dcRK ROMANINA YERL\u0130 B\u0130R K\u0130ML\u0130K KAZANDIRMAYA \u00c7ALI\u015eTI<\/strong><\/p>\n

T\u00fcrk roman\u0131na yerli bir kimlik kazand\u0131rmak i\u00e7in hayat\u0131 boyunca m\u00fccadele eden yazar, \u201cDevlet Ana\u201d kitab\u0131na ili\u015fkin Mehmet Seyda\u2019ya verdi\u011fi bir r\u00f6portajda, \u015funlar\u0131 kaydetmi\u015fti:<\/p>\n

\u201cRomanda romanc\u0131n\u0131n kendi ba\u015f\u0131na yapaca\u011f\u0131 \u00e7al\u0131\u015fmaya gelince, burada, ger\u00e7ek\u00e7i roman i\u00e7in, bilhassa b\u00f6yle tarihin belli d\u00f6neminden hareket ederek o d\u00f6nemdeki k\u00f6klerden bug\u00fcn\u00fcn insan\u0131n\u0131 belirlemeye \u00e7al\u0131\u015fan ve gelecekteki insan\u0131n nas\u0131l davranabilir oldu\u011funu ara\u015ft\u0131rmaya \u00e7al\u0131\u015fan bir yazar i\u00e7in, b\u00f6yle \u00f6zel bir \u00e7al\u0131\u015fma zorunludur. Biliyorsunuz, yeterli tarihsel, sosyal ekonomik ara\u015ft\u0131rmalar yap\u0131lmam\u0131\u015ft\u0131r, bizim memlekette. Yap\u0131lm\u0131\u015fsa bile kolayca ele ge\u00e7mez, da\u011f\u0131n\u0131k yap\u0131lm\u0131\u015ft\u0131r. Bunlar\u0131 toplay\u0131p, bunlardan gere\u011fince faydalanmak belli bir ortamda bunlarla me\u015fgul olan bir yak\u0131n arkada\u015f grubu bulamamak, sanat\u00e7\u0131ya, kendi i\u015fini kendi yapma zorunlulu\u011funu da y\u00fckl\u00fcyor. Bu sebepten, sanat\u00e7\u0131 b\u00f6yle bir tarihi kesit yani insanlar\u0131n tarihleriyle sosyal m\u00fcnasebetlerini ald\u0131\u011f\u0131 zaman, birtak\u0131m ara\u015ft\u0131rmalar\u0131 t\u0131pk\u0131 demeyeyim, k\u0131smen bir bilim adam\u0131 gibi ara\u015ft\u0131rmak zorunda kal\u0131yor. Bu da benim kendi \u015fahsi fikrimdir, belki de benim bir \u00f6zelli\u011fimdir.\u201d<\/p>\n

B\u0130R\u00c7OK \u00d6D\u00dcL ALDI<\/strong><\/p>\n

Kemal Tahir, eserlerinde Bedri Eser, F.M., T\u0130P\u0130 ve TA-KA gibi takma adlar kulland\u0131.<\/p>\n

Okuyucunun, \u201ckurtulu\u015f re\u00e7etesinin Bat\u0131\u2019da olmad\u0131\u011f\u0131 kendi \u00f6z de\u011ferlerinde oldu\u011fu\u201d fikrini almas\u0131n\u0131 istedi\u011fini belirtti\u011fi \u201cYorgun Sava\u015f\u00e7\u0131\u201d roman\u0131yla 1967-1968 Yunus Nadi Roman Arma\u011fan\u0131\u2019n\u0131 ald\u0131.<\/p>\n

Tahir\u2019in yerlilik ve tarih eksenli yazd\u0131\u011f\u0131 \u201cDevlet Ana\u201d, 1968\u2019de T\u00fcrk Dil Kurumu Roman \u00d6d\u00fcl\u00fc\u2019ne lay\u0131k g\u00f6r\u00fcld\u00fc.<\/p>\n

Akci\u011ferlerinden s\u0131k\u0131nt\u0131 ya\u015fay\u0131p 1970\u2019te ameliyat olan yazar, 21 Nisan 1973\u2019te ge\u00e7irdi\u011fi kalp krizi sonucu \u0130stanbul\u2019da ya\u015fam\u0131n\u0131 yitirdi ve Sahray\u0131cedid Mezarl\u0131\u011f\u0131\u2019na defnedildi.<\/p>\n

VEFATININ ARDINDAN KEMAL TAH\u0130R VAKFI KURULDU<\/strong><\/p>\n

\u201cKemal Tahir Vakf\u0131\u201d, yazar\u0131n \u00f6l\u00fcm\u00fcnden sonra e\u015fi taraf\u0131ndan kuruldu ve Kad\u0131k\u00f6y\u2019de hayat\u0131n\u0131n son y\u0131llar\u0131n\u0131 ge\u00e7irdi\u011fi evi m\u00fcze olarak ziyarete a\u00e7\u0131ld\u0131.<\/p>\n

T\u00fcrk\u00e7eyi ayn\u0131 d\u00f6nem yazarlar\u0131na g\u00f6re \u00e7ok yal\u0131n kullanan ve ayr\u0131nt\u0131lara \u00f6zen g\u00f6stermesiyle tan\u0131nan yazar\u0131n \u201cNamus\u00e7ular\u201d, \u201cKar\u0131lar Ko\u011fu\u015fu\u201d, \u201cH\u00fcr \u015eehrin \u0130nsanlar\u0131\u201d, \u201cDam A\u011fas\u0131\u201d, \u201cBir M\u00fclkiyet Kalesi\u201d romanlar\u0131 vefat\u0131ndan sonra yay\u0131mland\u0131.<\/p>\n

Kurtulu\u015f Sava\u015f\u0131 roman\u0131 olan \u201cYorgun Sava\u015f\u00e7\u0131\u201d, Osmanl\u0131 Devleti\u2019nin kurulu\u015funu anlatt\u0131\u011f\u0131 \u201cDevlet Ana\u201d, Serbest F\u0131rka\u2019n\u0131n kurulu\u015f s\u00fcrecine de\u011findi\u011fi \u201cYol Ayr\u0131m\u0131\u201d ve daha \u00f6nce \u201cTan\u201d gazetesinde yay\u0131mlanan \u00f6yk\u00fclerinden olu\u015fan \u201cG\u00f6l \u0130nsanlar\u0131\u201d da Tahir\u2019in en bilinen eserleri aras\u0131nda yer ald\u0131. (AA)<\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00fcrk edebiyat\u0131 ve d\u00fc\u015f\u00fcnce tarihinde \u00f6zg\u00fcn bir edebi kimli\u011fe sahip olan, “Devlet Ana”, “Yorgun Sava\u015f\u00e7\u0131”, “G\u00f6l \u0130nsanlar\u0131” ve “Kurt Kanunu” gibi unutulmaz eserlere imza atan Kemal Tahir, bundan tam 50 y\u0131l \u00f6nce, 21 Nisan 1973’te hayat\u0131n\u0131 kaybetti.<\/p>\n","protected":false},"author":1,"featured_media":78429,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[5750,4589,11060,113,5557],"class_list":["post-78428","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-edebi","tag-roman","tag-tahir","tag-tarih","tag-yazar"],"_links":{"self":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/78428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=78428"}],"version-history":[{"count":1,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/78428\/revisions"}],"predecessor-version":[{"id":78430,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/78428\/revisions\/78430"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/media\/78429"}],"wp:attachment":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=78428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=78428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=78428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}