{"id":84667,"date":"2023-05-02T09:23:05","date_gmt":"2023-05-02T09:23:05","guid":{"rendered":"https:\/\/haberulus.net\/?p=84667"},"modified":"2023-05-02T09:23:05","modified_gmt":"2023-05-02T09:23:05","slug":"fatihin-londrada-sergilenen-portresinin-uzerinde-dunyanin-fatihi-yaziyor","status":"publish","type":"post","link":"https:\/\/haberulus.net\/?p=84667","title":{"rendered":"Fatih\u2019in Londra\u2019da sergilenen portresinin \u00fczerinde \u2018D\u00fcnyan\u0131n Fatihi\u2019 yaz\u0131yor"},"content":{"rendered":"<p>\u0130talyan ressam Gentile Bellini\u2019nin \u2018Sultan II. Mehmet\u2019 isimli portresine ili\u015fkin detaylar\u0131 ve tablonun hikayesi, eserin sergilendi\u011fi Londra\u2019daki Victoria ve Albert M\u00fczesi\u2019nin (VA) a\u00e7\u0131klamalar\u0131 ile eseri envanterinde bulunduran Ulusal Galeri\u2019nin yetkililerinden edinilen bilgilere dayanarak derlendi.<\/p>\n<p>Osmanl\u0131\u2019n\u0131n Venedik\u2019ten hem resimde hem de heykelde ba\u015far\u0131l\u0131 bir sanat\u00e7\u0131 istemesi \u00fczerine \u0130stanbul\u2019a g\u00f6nderilen Gentile Bellini, 1479\u2019da ba\u015flad\u0131\u011f\u0131 yolculu\u011funu 1481\u2019in ilk aylar\u0131nda bitirdi.<\/p>\n<p>Fatih\u2019in yaln\u0131zca portresini de\u011fil kabartmal\u0131 bronz madalyonunu da yapan Bellini, \u0130stanbul\u2019da bulundu\u011fu s\u0131rada d\u00f6nemin Osmanl\u0131 vatanda\u015flar\u0131n\u0131, manzaralar\u0131n\u0131 ve k\u0131yafetlerini de resmetti.<\/p>\n<div><img decoding=\"async\" src=\"https:\/\/i01.sozcucdn.com\/wp-content\/uploads\/2023\/05\/02\/fatih1.1_22914562.jpg\" alt=\"\" title=\"\"><\/p>\n<p>Victoria ve Albert M\u00fczesi<\/p>\n<\/div>\n<p>Bug\u00fcn t\u00fcm detaylar\u0131 bilinmese ve sanat ele\u015ftirmenlerinin ele\u015ftirdi\u011fi noktalar\u0131 olsa da portre, o d\u00f6nem i\u00e7in modern say\u0131lacak bir \u00e7izimi \u00f6zelli\u011fini ta\u015f\u0131yor.<\/p>\n<p><strong>TABLODAK\u0130 TA\u00c7LAR<\/strong><\/p>\n<p>Eserin sergilendi\u011fi Victoria ve Albert M\u00fczesi\u2019ne g\u00f6re, portre \u0130stanbul\u2019da yap\u0131lm\u0131\u015f olsa da \u0130talyan R\u00f6nesans sanat\u00e7\u0131lar\u0131n\u0131n biyografilerini kaleme alan 16. y\u00fczy\u0131l yazar\u0131 Giorgio Vasari\u2019ye g\u00f6re tablo, Bellini\u2019nin Venedik\u2019e d\u00f6nmesinden sonra tamamland\u0131.<\/p>\n<p>Tablonun alt\u0131nda yazan \u20181480, Kas\u0131m\u2019\u0131n 25\u2019inci g\u00fcn\u00fc\u2019 ifadesi tablonun \u0130stanbul\u2019da yap\u0131ld\u0131\u011f\u0131na i\u015faret etse de tablonun yaz\u0131 b\u00f6l\u00fcmlerindeki bozulmalar \u00e7e\u015fitli d\u00f6nemlerdeki tamirlerde b\u00fcy\u00fck oranda yok olmu\u015f durumda.<\/p>\n<p>Portrede sa\u011f ve sol \u00fcstte olmak \u00fczere \u00fc\u00e7er ta\u00e7 bulunuyor. Bu \u00fc\u00e7 ta\u00e7, Do\u011fu Roma \u0130mparatorlu\u011fu, Trabzon Rum \u0130mparatorlu\u011fu ve Anadolu\u2019nun fethi anlam\u0131na gelen Konya\u2019n\u0131n al\u0131nmas\u0131 ile Fatih Sultan Mehmet&#8217;in \u00fc\u00e7 \u00f6nemli zaferini simgeliyor.<\/p>\n<p>Tabloda Fatih Sultan Mehmet bir kemerli kap\u0131 i\u00e7inde g\u00f6r\u00fcl\u00fcyor. Bu kap\u0131n\u0131n Venedik\u2019teki Aziz Zekeriya Kilisesi\u2019nin giri\u015fi oldu\u011fu d\u00fc\u015f\u00fcn\u00fcl\u00fcyor. Bellini\u2019nin \u0130stanbul\u2019a gelmeden \u00f6nce g\u00f6rme \u015fans\u0131 buldu\u011fu giri\u015f, Osmanl\u0131 sanat\u0131ndaki kap\u0131 sembolizmine de i\u015faret ediyor.<\/p>\n<p>Osmanl\u0131\u2019da \u2018devlet\u2019 anlam\u0131nda da kullan\u0131lan kap\u0131 (Bab) kelimesi, adaletin tesis edildi\u011fi yer anlam\u0131na da geliyor. Aziz Zekeriya Kilisesi\u2019nin kap\u0131s\u0131 k\u00f6t\u00fcl\u00fcklerden iyili\u011fe giri\u015fi sembolize ediyor.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/i01.sozcucdn.com\/wp-content\/uploads\/2023\/05\/02\/fatih1.1_22914562.jpg\" alt=\"\" title=\"\"><\/p>\n<p><strong>\u2018VICTOR ORBIS\u2019<\/strong><\/p>\n<p>Tabloda sol profilden \u00e7izilen Fatih\u2019in ba\u015f\u0131nda k\u0131rm\u0131z\u0131 beyaz bir sar\u0131k bulunuyor. Sar\u0131k, Fatih\u2019in siyasi ve dini mevkisini sembolize ediyor, yan duru\u015f ise Venedik\u2019te o d\u00f6nemde yeni yeni ortaya \u00e7\u0131km\u0131\u015f portreleri profilden \u00e7izme modas\u0131n\u0131n bir yans\u0131mas\u0131.<\/p>\n<p>19. y\u00fczy\u0131lda adeta yeniden boyanarak tadilat\u0131 yap\u0131lan tabloda baz\u0131 detaylar kaybolsa da kemerli kap\u0131n\u0131n alt\u0131ndaki m\u00fccevherlerle s\u00fcslenmi\u015f dantelli \u00f6rt\u00fcdeki detaylar ve titizlik dikkat \u00e7ekiyor.<\/p>\n<p>Fatih\u2019in kemerli burnu ve \u00e7\u0131k\u0131k \u00e7enesinin tabloda yer almas\u0131 ise R\u00f6nesans resminde bir ki\u015finin, kim olursa olsun her y\u00f6n\u00fcyle oldu\u011fu gibi resmedilmesinin en \u00f6nemli ilk \u00f6rnekleri aras\u0131nda yer al\u0131yor.<\/p>\n<p>Tabloda kemerli giri\u015fin iki alt ucunda iki yaz\u0131 g\u00f6ze \u00e7arp\u0131yor. Zamanla k\u0131smen okunmaz hale gelen yaz\u0131larda \u20181480, Kas\u0131m\u2019\u0131n 25\u2019inci g\u00fcn\u00fc\u2019 ve Latince \u2018Victor Orbis (D\u00fcnyan\u0131n Fatihi)\u2019 ifadesi yaz\u0131yor.<\/p>\n<p>M\u00fczede biri yine Bellini taraf\u0131ndan yap\u0131lm\u0131\u015f \u00fc\u00e7 Fatih Sultan Mehmet kabartmal\u0131 madalyon da sergileniyor. Madalyonunun arkas\u0131nda yine tablodaki gibi \u00fc\u00e7 ta\u00e7 yer al\u0131yor.<\/p>\n<p><strong>TABLONUN SAH\u0130B\u0130<\/strong><\/p>\n<p>Tablo ile madalyonlar\u0131n m\u00fczelere kimlerden geldi\u011fi bilinse de bu ki\u015filerin eserleri nas\u0131l elde etti\u011fine ili\u015fkin bilgi bulunmuyor.<\/p>\n<p>Son 10 y\u0131lda 30 milyon ziyaret\u00e7i a\u011f\u0131rlayan Victoria ve Albert M\u00fczesi\u2019ndeki bilgilere g\u00f6re, tablonun sahibi Ulusal Galeri ancak galeri envanterine Austen Henry Layard isimli \u0130ngiliz diplomat\u0131n miras\u0131 olarak 1916\u2019da dahil olmu\u015f.<\/p>\n<p>\u0130ngiltere\u2019nin 1877\u2019de \u0130stanbul\u2019a atad\u0131\u011f\u0131 b\u00fcy\u00fckel\u00e7i olan Layard, farkl\u0131 d\u00f6nemlerde Osmanl\u0131 topraklar\u0131nda farkl\u0131 kademelerde diplomatl\u0131k ve arkeolojik ara\u015ft\u0131rma ekip ba\u015fkanl\u0131\u011f\u0131 da yapt\u0131. \u00c7ocuklu\u011fu Venedik\u2019te ge\u00e7en Layard, emeklili\u011finde de Venedik\u2019te ya\u015fad\u0131. Sanat eseri koleksiyonu yapan Layard, diplomatl\u0131\u011f\u0131n verdi\u011fi dokunulmazl\u0131k sayesinde bir\u00e7ok sanat eserini rahatl\u0131kla \u0130ngiltere\u2019ye ka\u00e7\u0131rabildi. Layard, 1894\u2019te \u00f6ld\u00fc\u011f\u00fcnde koleksiyonundaki bir\u00e7ok eserini miras olarak Ulusal Galeri\u2019ye b\u0131rak\u0131rken, bunlar aras\u0131nda Bellini\u2019nin Fatih portresi de yer ald\u0131. (AA)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fatih Sultan Mehmet\u2019in \u0130talyan ressam Gentile Bellini&#8217;ye sipari\u015f etti\u011fi ve Londra&#8217;n\u0131n Victoria ve Albert M\u00fczesi&#8217;nin en \u00f6nemli eserleri aras\u0131nda yer alan \u00fcnl\u00fc portresinin \u00fczerinde Latince &#8216;D\u00fcnyan\u0131n fatihi&#8217; yaz\u0131yor.<\/p>\n","protected":false},"author":1,"featured_media":84668,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[11498,1111,1533,116,11499],"class_list":["post-84667","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-bellini","tag-fatih","tag-kapi","tag-portre","tag-tabloda"],"_links":{"self":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/84667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=84667"}],"version-history":[{"count":1,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/84667\/revisions"}],"predecessor-version":[{"id":84669,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/84667\/revisions\/84669"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/media\/84668"}],"wp:attachment":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=84667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=84667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=84667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}