\u201cSelvi Boylum Al Yazmal\u0131m\u201d, \u201cBattal Gazi Destan\u0131\u201d, \u201cKibar Feyzo\u201d, \u201cBerdel\u201d, \u201cZul\u00fcm\u201d ve \u201cZ\u00fcb\u00fck\u201d filmleri dahil unutulmaz eserlere imza atan Y\u0131lmaz, 9 Aral\u0131k 1925\u2019te Mersin\u2019de d\u00fcnyaya geldi.<\/p>\n
Tam ad\u0131 At\u0131f Y\u0131lmaz Bat\u0131beki olan y\u00f6netmen, yap\u0131mc\u0131 ve senarist, ilk ve orta \u00f6\u011frenimini Mersin\u2019de tamamlad\u0131.<\/p>\n
Hen\u00fcz ortaokuldayken kendisine \u201crejis\u00f6r\u201d lakab\u0131 tak\u0131lan Y\u0131lmaz, yapt\u0131\u011f\u0131 bir a\u00e7\u0131klamada, \u201cMersin Ortaokulu\u2019nun ikinci s\u0131n\u0131f\u0131nday\u0131m. Kim hangi nedenle uygun g\u00f6rd\u00fc hat\u0131rlam\u0131yorum \u015fimdi. Bana \u2018rejis\u00f6r\u2019 lakab\u0131 tak\u0131ld\u0131. Herhalde s\u0131n\u0131fta bir Y\u0131lmaz daha vard\u0131. Ondan ay\u0131rmak i\u00e7in olmal\u0131 ama hala kendime sorar\u0131m; neden rejis\u00f6r?\u201d s\u00f6zleriyle aktarm\u0131\u015ft\u0131.<\/p>\n
At\u0131f Y\u0131lmaz, \u00fcniversite e\u011fitimini \u0130stanbul \u00dcniversitesi Hukuk Fak\u00fcltesi\u2019nde tamamlad\u0131.<\/p>\n
Ard\u0131ndan G\u00fczel Sanatlar Akademisi\u2019nde ressam Nuri \u0130yem\u2019den resim dersleri ald\u0131.<\/p>\n
Tavanaras\u0131 Ressamlar Toplulu\u011fu\u2019na 1947\u2019de kat\u0131lan usta y\u00f6netmen, \u201cBe\u015f Sanat\u201d isimli dergide tiyatro ve sinema \u00fczerine yaz\u0131lar yazd\u0131.<\/p>\n
\u201cAllah Kerim\u201d filmi sinemadaki kariyerinin ba\u015flang\u0131c\u0131 oldu<\/strong><\/p>\n Y\u0131lmaz, 1950\u2019de y\u00f6netmen Semih Evin\u2019in \u201cAllah Kerim\u201d filminde asistanl\u0131k yaparak sinemaya ad\u0131m att\u0131.<\/p>\n H\u00fcseyin Peyda\u2019n\u0131n 1951\u2019de \u00e7ekti\u011fi \u201cMezar\u0131m\u0131 Ta\u015ftan Oyun\u201d filminin senaryosunu kaleme alan Y\u0131lmaz, ayn\u0131 y\u0131l ilk filmi \u201cKanl\u0131 Feryad\u201d ile y\u00f6netmenli\u011fe ba\u015flad\u0131.<\/p>\n Y\u00f6netmen Y\u0131lmaz, Kerime Nadir\u2019in eserinden 1953\u2019te sinemaya uyarlanan \u201cH\u0131\u00e7k\u0131r\u0131k\u201d isimli filmi \u00e7ekti. Filmin ba\u015far\u0131s\u0131 Ye\u015fil\u00e7am\u2019da \u201cpiyasa romanlar\u0131\u201d olarak tabir edilen eserlerin sinemaya uyarlanmas\u0131na sebep oldu.<\/p>\n O\u011fuz \u00d6zde\u015f\u2019ten \u201cA\u015fk Izd\u0131rapt\u0131r\u201d, Esat Mahmut Karakurt\u2019tan \u201cKad\u0131n Severse\u201d, \u201cDa\u011flar\u0131 Bekleyen K\u0131z\u201d, \u201c\u0130lk ve Son\u201d ve Ethem \u0130zzet Benice\u2019den \u201cBe\u015f Hasta Var\u201d isimli romanlar\u0131 filme uyarlayan Y\u0131lmaz, 1959\u2019da \u00e7ekti\u011fi \u201cBu Vatan\u0131n \u00c7ocuklar\u0131\u201d filmiyle Gazeteciler Cemiyeti T\u00fcrk Film Festivali\u2019nde \u201cEn Ba\u015far\u0131l\u0131 Rejis\u00f6r\u201d se\u00e7ildi.<\/p>\n Orhan G\u00fcn\u015f\u0131ray\u2019la 1960\u2019ta Yerli Film \u015firketini kurarak yap\u0131mc\u0131l\u0131\u011fa da ba\u015flayan ba\u015far\u0131l\u0131 y\u00f6netmen, 1960\u2019lar\u0131n ikinci yar\u0131s\u0131nda, senaryosunu Ay\u015fe \u015easa\u2019n\u0131n yazd\u0131\u011f\u0131 filmlerle T\u00fcrk sinemas\u0131n\u0131n klasikleri olarak kabul edilen pek \u00e7ok filmi y\u00f6netti.<\/p>\n Sosyolojik ve toplumsal konulu filmlerde ba\u015far\u0131 kazand\u0131<\/strong><\/p>\n At\u0131f Y\u0131lmaz, \u00f6zellikle k\u00f6y ve pastoral ya\u015fam\u0131 anlatan, sosyolojik, toplumsal konulu filmlerde ba\u015far\u0131 sa\u011flarken, \u00e7ekti\u011fi filmlerin senaryolar\u0131n\u0131 da kendisi yazd\u0131.<\/p>\n Kat\u0131ld\u0131\u011f\u0131 bir programda T\u00fcrk sinemas\u0131n\u0131n bir aray\u0131\u015f i\u00e7inde oldu\u011funu vurgulayan Y\u0131lmaz, \u015funlar\u0131 s\u00f6ylemi\u015fti:<\/p>\n \u201cBenim zaman\u0131mda sinemac\u0131 olmak \u00e7ok kolayd\u0131. \u00c7\u00fcnk\u00fc sinemaya b\u00fcy\u00fck bir talep vard\u0131. Y\u0131lda 150-200 film \u00e7ekiliyordu. Sinemaya a\u015f\u0131r\u0131 bir talep oldu\u011fu i\u00e7in bu talep, filmlerin tarz\u0131n\u0131 da belirliyordu. \u015eimdi talep de izleyicimiz de her \u015fey de\u011fi\u015fti. Bug\u00fcn sinemac\u0131 olmak ve bu mesle\u011fi y\u00fcr\u00fctmek \u00e7ok daha zor. Bug\u00fcn bir aray\u0131\u015f var, bu aray\u0131\u015f\u0131n sonu ne olacak bilemiyorum. G\u00f6rsel sanatlar hi\u00e7bir zaman bitmeyece\u011fi i\u00e7in belki g\u00f6sterim alanlar\u0131 de\u011fi\u015fecek ama her zaman ya\u015fayacak diye d\u00fc\u015f\u00fcn\u00fcyorum.\u201d<\/p>\n Ayn\u0131 r\u00f6portajda, sineman\u0131n bir \u00fclkeyi tan\u0131tabilecek en \u00f6nemli sanat dal\u0131 oldu\u011funa dikkati \u00e7eken Y\u0131lmaz, \u201cT\u00fcrkiye\u2019nin d\u0131\u015f d\u00fcnyada tan\u0131t\u0131lmas\u0131 i\u00e7in en elveri\u015fli sanat dal\u0131 sinemad\u0131r. Cumhuriyet kuruldu\u011fu zaman bir Bat\u0131l\u0131la\u015fma hareketi ba\u015flad\u0131. Bat\u0131\u2019n\u0131n burjuva sanatlar\u0131 ba\u015f tac\u0131 edilmek istendi. Operaya, baleye, tiyatroya, orkestralara devlet destek verdi. Ama sinema halk sanat\u0131 oldu\u011fu i\u00e7in pek ciddiye al\u0131nmad\u0131. Onun g\u00fcc\u00fc de fark edilmedi\u201d de\u011ferlendirmesinde bulunmu\u015ftu. At\u0131f Y\u0131lmaz\u2019\u0131n 1972\u2019de \u00e7ekti\u011fi \u201cZul\u00fcm\u201d filmi, 9. Antalya Alt\u0131n Portakal Film Festivali\u2019nde \u201cEn \u0130yi Film\u201d, \u201cEn \u0130yi Y\u00f6netmen\u201d ve \u201cEn \u0130yi G\u00f6r\u00fcnt\u00fc Y\u00f6netmeni\u201d \u00f6d\u00fcllerine lay\u0131k g\u00f6r\u00fcld\u00fc.<\/p>\n Yerli Film kapand\u0131ktan sonra 1980\u2019de \u00d6mer Kavur ve Yavuz \u00d6zkan ile birlikte ADAF\u2019\u0131 kuran Y\u0131lmaz, bu \u015firket da\u011f\u0131ld\u0131ktan sonra, kendi ad\u0131na Ye\u015fil\u00e7am Filmcilik yap\u0131mevini a\u00e7t\u0131.<\/p>\n Y\u0131lmaz, 1977\u2019de T\u00fcrk sinemas\u0131 klasiklerinden \u201cSelvi Boylum El Yazmal\u0131m\u201d\u0131 y\u00f6netti, 1980\u2019li y\u0131llarda ba\u015frol\u00fcnde kad\u0131n kahramanlar\u0131n \u00f6ne \u00e7\u0131kt\u0131\u011f\u0131 filmlere imza att\u0131.<\/p>\n Y\u00f6netmen, yapt\u0131\u011f\u0131 bu filmlerle 1984, 1985 ve 1986\u2019da Alt\u0131n Portakal Film Festivali\u2019nde \u201cEn \u0130yi Film\u201d \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131.<\/p>\n Sineman\u0131n efsanelerinden biri olarak g\u00f6sterilen Y\u0131lmaz, bir d\u00f6nem Mimar Sinan \u00dcniversitesi Sinema-TV B\u00f6l\u00fcm\u00fc\u2019nde de \u00f6\u011fretim g\u00f6revlisi olarak oldu. Aktif oldu\u011fu d\u00f6nem boyunca 110\u2019dan fazla film y\u00f6neten Y\u0131lmaz, son filmi \u201cE\u011freti Gelin\u201di 2004\u2019te \u00e7ekti.<\/p>\n Hacettepe \u00dcniversitesi taraf\u0131ndan 1991\u2019de \u201cSanatta Onursal Doktora\u201d unvan\u0131 verilen At\u0131f Y\u0131lmaz, 1996\u2019da 33. Antalya Alt\u0131n Portakal Film Festivali\u2019nde \u201cOnur \u00d6d\u00fcl\u00fc\u201dne de\u011fer g\u00f6r\u00fcld\u00fc.<\/p>\n Mide kanseri nedeniyle 5 May\u0131s 2006\u2019da \u0130stanbul\u2019da vefat eden usta y\u00f6netmenin cenazesi, Zincirlikuyu Mezarl\u0131\u011f\u0131\u2019na defnedildi. (AA)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" T\u00fcrk sinemas\u0131nda be\u011fenilen filmlerin y\u00f6netmenli\u011fini \u00fcstlenen At\u0131f Y\u0131lmaz, vefat\u0131n\u0131n 17. y\u0131l\u0131nda yad ediliyor.<\/p>\n","protected":false},"author":1,"featured_media":85135,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[287,3534,4160,294,1284],"class_list":["post-85134","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-film","tag-filmi","tag-sinema","tag-yilmaz","tag-yonetmen"],"_links":{"self":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/85134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=85134"}],"version-history":[{"count":1,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/85134\/revisions"}],"predecessor-version":[{"id":85136,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/85134\/revisions\/85136"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/media\/85135"}],"wp:attachment":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=85134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=85134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=85134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\u201cZul\u00fcm\u201d ile 1972\u2019de Alt\u0131n Portakal\u2019da 3 \u00f6d\u00fcl ald\u0131<\/strong><\/p>\n