A\u015f\u0131k Veysel, vefat\u0131n\u0131n 50\u2019nci y\u0131l\u0131nda yurt i\u00e7i ve d\u0131\u015f\u0131nda ger\u00e7ekle\u015ftirilen \u00e7e\u015fitli etkinliklerle an\u0131l\u0131yor. Arjantin\u2019de, Yunus Emre Enstit\u00fcs\u00fc taraf\u0131ndan y\u00fcr\u00fct\u00fclen ve Arjantinli sanat\u00e7\u0131lar\u0131n yer ald\u0131\u011f\u0131 proje kapsam\u0131nda, m\u00fczisyenler yerel enstr\u00fcmanlar\u0131yla A\u015f\u0131k Veysel\u2019in \u2018Uzun \u0130nce Bir Yolday\u0131m\u2019 adl\u0131 eserini T\u00fcrk\u00e7e seslendirdi.<\/p>\n
A\u015f\u0131k Veysel\u2019in evrenselli\u011fine vurgu yapan Lola Barrios Exposito, \u201cA\u015f\u0131k Veysel bence d\u00fcnyan\u0131n en b\u00fcy\u00fck ozanlar\u0131ndan biridir, paradoksal bir \u015fekilde k\u00f6rl\u00fc\u011f\u00fcne ra\u011fmen g\u00f6rmesini, resmetmesini ve anlatmas\u0131n\u0131 bilen bir sanat\u00e7\u0131d\u0131r. A\u015f\u0131k Veysel bizi davet ediyor, hayat\u0131, g\u00fczelli\u011fi ve a\u015fk\u0131 sormaya davet ediyor\u201d ifadesini kulland\u0131. Exposito, ozan\u0131n \u2018Uzun \u0130nce Bir Yolday\u0131m\u2019 isimli eserinin kendisini derin \u015fekilde etkiledi\u011fini ve hayat\u0131n, sanat\u0131n, her \u015feyin i\u00e7inde g\u00fczelli\u011fi bulduklar\u0131n\u0131 belirtti.<\/p>\n
Projeye katk\u0131da bulunan di\u011fer sanat\u00e7\u0131 Silvia \u0130taliano ise A\u015f\u0131k Veysel\u2019i ilk dinledi\u011finde kendisinde b\u0131rakt\u0131\u011f\u0131 derin izlere de\u011finerek, \u201c\u00c7ok\u00e7a bilinen eseri \u2018Kara Toprak\u2019ta bize r\u0131z\u0131k veren, bizi besleyen, bizi bar\u0131nd\u0131ran, bizi son yolculu\u011fumuzda kucaklayan ve ba\u011fr\u0131na basan topraktan bahsediyor. Onun t\u00fcrk\u00fclerini s\u00f6yledi\u011fimde, bir yerlerden beni dinledi\u011fini hissediyorum\u201d de\u011ferlendirmesinde bulundu.<\/p>\n
\u201cSANAT\u00c7ININ EN DE\u011eERL\u0130 EV\u0130 HAFIZASIDIR\u201d<\/strong><\/p>\n Projenin ger\u00e7ekle\u015fmesinde katk\u0131da bulunan Arjantin D\u0131\u015fi\u015fleri, Uluslararas\u0131 Ticaret ve K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 M\u00fczik B\u00f6l\u00fcm\u00fc Direkt\u00f6r\u00fc Mabel Cury de \u201cA\u015f\u0131k Veysel\u2019i, Atahualpa Yupanqui, Teresa Parodi, Victor Heredia, Juan Falu, Rolando Valladares, Ramon Navarro gibi pek \u00e7ok di\u011fer Arjantinli b\u00fcy\u00fck ustalarla kar\u015f\u0131la\u015ft\u0131rabilirim. Bu, bir kez daha kan\u0131tl\u0131yor ki bir sanat\u00e7\u0131n\u0131n en ger\u00e7ek, en de\u011ferli evi halk\u0131n\u0131n haf\u0131zas\u0131d\u0131r. A\u015f\u0131k Veysel, \u00fclkesinde silinmez izler b\u0131rakm\u0131\u015f b\u00fcy\u00fck bir T\u00fcrk sanat\u00e7\u0131s\u0131d\u0131r\u201d dedi.<\/p>\n A\u015eIK VEYSEL YILI<\/strong><\/p>\n A\u015f\u0131k Veysel\u2019in vefat\u0131n\u0131n 50. y\u0131l\u0131n\u0131n, UNESCO\u2019nun anma ve kutlama y\u0131l d\u00f6n\u00fcmleri program\u0131na al\u0131nmas\u0131n\u0131n ard\u0131ndan, Cumhurba\u015fkanl\u0131\u011f\u0131 genelgesi kapsam\u0131nda, 2023 y\u0131l\u0131n\u0131n \u2018A\u015f\u0131k Veysel Y\u0131l\u0131\u2019 olarak kutlanmas\u0131na karar verilmi\u015fti. (AA)<\/p>\n","protected":false},"excerpt":{"rendered":" Arjantinli sanat\u00e7\u0131lar, A\u015f\u0131k Veysel’in ‘Uzun \u0130nce Bir Yolday\u0131m’ adl\u0131 eserini T\u00fcrk\u00e7e seslendirdi.<\/p>\n","protected":false},"author":1,"featured_media":86536,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[11644,3872,67],"class_list":["post-86535","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-asik-veysel","tag-sanatci","tag-yili"],"_links":{"self":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/86535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=86535"}],"version-history":[{"count":1,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/86535\/revisions"}],"predecessor-version":[{"id":86537,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/86535\/revisions\/86537"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/media\/86536"}],"wp:attachment":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=86535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=86535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=86535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}