{"id":88274,"date":"2023-05-10T06:25:03","date_gmt":"2023-05-10T06:25:03","guid":{"rendered":"https:\/\/haberulus.net\/?p=88274"},"modified":"2023-05-10T06:25:03","modified_gmt":"2023-05-10T06:25:03","slug":"la-diva-turca-leyla-gencer-vefat-edeli-15-yil-oldu","status":"publish","type":"post","link":"https:\/\/haberulus.net\/?p=88274","title":{"rendered":"La Diva Turca Leyla Gencer vefat edeli 15 y\u0131l oldu"},"content":{"rendered":"

As\u0131l ad\u0131 Ay\u015fe Leyla \u00c7eyrekgil olan sanat\u00e7\u0131, t\u00fcm d\u00fcnyada opera sanat\u0131na katk\u0131da bulunan ve gelmi\u015f ge\u00e7mi\u015f en iyi be\u015f kad\u0131n opera sanat\u00e7\u0131s\u0131 aras\u0131nda g\u00f6steriliyor.<\/p>\n

Leyla Gencer, Safranbolu\u2019nun Y\u00f6r\u00fck k\u00f6y\u00fcnden Hasanzade \u0130brahim \u00c7eyrekgil ile aslen Polonyal\u0131 Alexandra Angela Minakovska\u2019n\u0131n \u00e7ocu\u011fu olarak, 10 Ekim 1928\u2019de Polonezk\u00f6y\u2019de d\u00fcnyaya geldi.<\/p>\n

Frans\u0131z bak\u0131c\u0131s\u0131ndan dil \u00f6\u011frenerek Frans\u0131z klasiklerini okumaya ba\u015flayan sanat\u00e7\u0131, \u00e7ocuklu\u011funda edebiyat, tiyatro, m\u00fczik, sanat ve k\u00fclt\u00fcr\u00fcn her alan\u0131nda geni\u015f bilgiler edindi.<\/p>\n

Babas\u0131n\u0131 gen\u00e7 ya\u015fta kaybeden Gencer, 18 ya\u015f\u0131ndayken \u0130brahim Gencer ile evlendi.<\/p>\n

Evlendikten sonra da e\u011fitimine devam eden sanat\u00e7\u0131, kariyeri boyunca e\u015fi taraf\u0131ndan desteklendi.<\/p>\n

Notre Dame de Sion\u2019un ard\u0131ndan gitti\u011fi \u0130stanbul \u0130talyan Lisesi\u2019nden mezun olan Gencer, bir s\u00fcre Beyaz\u0131t K\u00fct\u00fcphanesi\u2019nde \u00e7al\u0131\u015ft\u0131.<\/p>\n

CEMAL RE\u015e\u0130T REY VE MUH\u0130TT\u0130N SADAK\u2019TAN E\u011e\u0130T\u0130M ALDI<\/strong><\/p>\n

Leyla Gencer, \u0130stanbul Konservatuvar\u0131\u2019nda \u015fan e\u011fitimi ald\u0131\u011f\u0131 s\u0131rada Reine Gelenbevi, Cemal Re\u015fit Rey ve Muhittin Sadak\u2019\u0131n \u00f6\u011frencisi oldu.<\/p>\n

Konservatuvardaki ilk g\u00fcn\u00fcnde La Scala\u2019da sahneye \u00e7\u0131kmay\u0131 kafas\u0131na koyan Gencer, 1946-1949\u2019da \u0130stanbul \u015eehir Korosu\u2019nda solo sanat\u00e7\u0131s\u0131 olarak yer ald\u0131.<\/p>\n

Ankara Devlet Konservatuvar\u0131\u2019na \u015fan e\u011fitimi vermek \u00fczere davet edilen \u00fcnl\u00fc \u0130talyan sanat\u00e7\u0131 Arangi Lombardi\u2019yi ziyaret ederek sesini dinleten Gencer, performans\u0131yla sanat\u00e7\u0131y\u0131 etkiledi.<\/p>\n

Lombardi, Gencer\u2019in konservatuvar\u0131 b\u0131rakarak kendisiyle Ankara\u2019ya gelmesini isteyince, sanat\u00e7\u0131 \u0130stanbul Konservatuvar\u0131\u2019ndaki e\u011fitimini yar\u0131da b\u0131rakt\u0131. Gencer Ankara\u2019da, \u0130talyan tenor Apollo Granforte, Adolfo Camozzo, Di Ferdinando, George Reinwald ve Domenico Trizzio\u2019nun da \u00f6\u011frencisi oldu.<\/p>\n

Usta sanat\u00e7\u0131, 1949\u2019da operan\u0131n ba\u011fl\u0131 bulundu\u011fu Devlet Tiyatrosu s\u0131navlar\u0131na girdi. S\u0131nav\u0131 kazanan Gencer, operan\u0131n solist kadrosunda yer olmad\u0131\u011f\u0131ndan koro kadrosuna al\u0131nd\u0131.<\/p>\n

\"\"<\/p>\n

\u201c\u0130NSAN H\u0130\u00c7B\u0130R ZAMAN K\u00d6KLER\u0130N\u0130 \u0130NKAR ETMEMEL\u0130\u201d<\/strong><\/p>\n

Opera kariyerine 1950\u2019de Ankara Devlet Tiyatrosunda Cavalleria Rusticana eserindeki \u201cSantuzza\u201d rol\u00fcyle ad\u0131m atan sanat\u00e7\u0131, \u0130talya\u2019da da ilk kez bu rolle seyirci kar\u015f\u0131s\u0131na \u00e7\u0131kt\u0131.<\/p>\n

Gencer, ilk sahne deneyimine ili\u015fkin TRT\u2019de 1990\u2019da yay\u0131nlanan r\u00f6portaj\u0131nda, \u201cBen sahneye ilk ad\u0131m\u0131m\u0131 Ankara Devlet Operas\u0131nda att\u0131m ve \u2018Cavalleria Rusticana\u2019 ile ba\u015flad\u0131m. Sene 1950, 15 Ocak. 15 Ocak 1990\u2019da Rossini seminerime ba\u015flad\u0131m, \u0130stanbul Devlet Tiyatrosunda. Bu benim i\u00e7in \u00e7ok g\u00fczel bir olayd\u0131. Aradan \u015f\u00f6yle bir 40 sene ge\u00e7mi\u015f yani kolay de\u011fil.\u201d ifadelerini kullanm\u0131\u015ft\u0131.<\/p>\n

La Scala\u2019ya ilk gitti\u011finde ya\u015fad\u0131klar\u0131n\u0131 da ayn\u0131 r\u00f6portajda dile getiren sanat\u00e7\u0131, \u015funlar\u0131 s\u00f6ylemi\u015fti:<\/p>\n

\u201cBen ilk kez \u0130talya\u2019da Scala\u2019ya gitti\u011fim zaman, (Antonio) Ghiringhelli diye bir umum m\u00fcd\u00fcr\u00fc vard\u0131. Harpten sonra uzun seneler kald\u0131. Beni ilk defa Scala\u2019ya davet etti\u011fi zaman, \u2018Siz b\u00fcy\u00fck bir kariyer yapmak isterseniz bir \u0130talyan ismi al\u0131n.\u2019 dedi bana. \u2018Hay\u0131r. Ben kendi ismimle kariyer yapmak istiyorum.\u2019 dedim. \u2018Ama senin ismin bir T\u00fcrk ismi. \u0130talyan ismi al\u0131rsan di\u011fer Amerikal\u0131 arkada\u015flar\u0131n gibi, daha \u00e7abuk isim yapars\u0131n.\u2019 dedi. \u2018Zarar\u0131 yok. Ben daha yava\u015f isim yapar\u0131m ama kendi T\u00fcrk ismimle yapaca\u011f\u0131m.\u2019 dedim. Yani insan hi\u00e7bir zaman k\u00f6klerini inkar etmemeli.\u201d<\/p>\n

ABD BA\u015eKANI \u0130\u00c7\u0130N 1953\u2019TE \u00c7ANKAYA K\u00d6\u015eK\u00dc\u2019NDE SANHE ALDI<\/strong><\/p>\n

Bir\u00e7ok resmi devlet resepsiyonunda sahne alan Gencer, 1953\u2019te ABD Ba\u015fkan\u0131 Dwight Eisenhower i\u00e7in \u00c7ankaya K\u00f6\u015fk\u00fc\u2019nde verilen konserde, Henry Purcell\u2019a ait \u201cDidone\u201d aryas\u0131n\u0131 s\u00f6yledi.<\/p>\n

Leyla Gencer, Frans\u0131z Parlamento Ba\u015fkan\u0131 ve D\u0131\u015fi\u015fleri Bakan\u0131 i\u00e7in ise Faust operas\u0131n\u0131n \u201cM\u00fccevherler\u201d aryas\u0131n\u0131 seslendirdi.<\/p>\n

T\u00fcrkiye ile \u0130talya aras\u0131nda 1953\u2019te ger\u00e7ekle\u015ftirilen k\u00fclt\u00fcr anla\u015fmas\u0131 kapsam\u0131nda, Roma\u2019da bir resital vermek \u00fczere g\u00f6revlendirilen Gencer\u2019in ya\u015fam\u0131 ve kariyeri, b\u00fcy\u00fck ba\u015far\u0131 elde etti\u011fi konserin ard\u0131ndan farkl\u0131 bir y\u00f6n kazand\u0131. Konserdeki performans\u0131 dolay\u0131s\u0131yla RAI St\u00fcdyolar\u0131 Genel M\u00fcd\u00fcr\u00fc ve M\u00fczik Y\u00f6netmeni Mairo Labroca, Gencer\u2019i sesini dinletmesi i\u00e7in Napoli\u2019deki San Carlo Operas\u0131\u2019na g\u00f6nderdi.<\/p>\n

Gencer, San Carlo Operas\u0131 ile 1954\u2019te Napoli\u2019de ger\u00e7ekle\u015ftirilen yaz festivalinde yeniden \u201cSantuzza\u201d rol\u00fcn\u00fc oynad\u0131. \u201cYevgeni Onegin\u201d ve \u201cMadam Butterfly\u201dda ba\u015frol alan Gencer, \u201cMadam Butterfly\u201d operas\u0131 i\u00e7in y\u0131l i\u00e7inde 23 kez sahne ald\u0131.<\/p>\n

\u201cNapolili T\u00fcrk\u201d olarak an\u0131lmaya ba\u015flayan usta sanat\u00e7\u0131, \u201cLa Traviata\u201ddaki \u201cVioletta\u201d rol\u00fcn\u00fc, Avrupa\u2019n\u0131n \u00e7e\u015fitli kentlerindeki operalarda canland\u0131rd\u0131, uluslararas\u0131 festivallere kat\u0131ld\u0131 ve piyano e\u015fli\u011finde resitaller verdi.<\/p>\n

LA SCALA\u2019DAK\u0130 BA\u015eARISIYLA PR\u0130MADONNA OLDU<\/strong><\/p>\n

Leyla Gencer, 1956\u2019da San Francisco\u2019da rahats\u0131zlanan Renata Tebaldi\u2019nin yerine 1956\u2019da \u201cSan Francesca de Rimini\u201d operas\u0131nda sahne ald\u0131. San Francisco Operas\u0131 ile 1957\u2019de \u201cLa Traviata\u201d eserinde \u201cVioleta\u201dy\u0131 seslendiren sanat\u00e7\u0131, \u201cLucia di 74 Lammermoor\u201d adl\u0131 eserde ise Maria Callas\u2019\u0131n yerine \u201cLucia\u201d rol\u00fcn\u00fc \u00fcstlendi.<\/p>\n

Konservatuvara girdi\u011fi ilk g\u00fcnden itibaren hayalini kurdu\u011fu, operan\u0131n merkezi say\u0131lan Milano\u2019daki La Scala\u2019da 26 Ocak 1957\u2019de sahneye \u00e7\u0131kan sanat\u00e7\u0131, Francis Poulenc\u2019in \u201cLes Dialogues de Carmelites\u201d operas\u0131ndaki ba\u015far\u0131s\u0131yla primadonnal\u0131\u011fa y\u00fckseldi.<\/p>\n

Gencer, Milano\u2019da La Scala\u2019da Verdi, Bellini, Donizetti, Mozart, Monteverdi, Tchaikovsky ve Puccini\u2019nin de aralar\u0131nda bulundu\u011fu \u00fcnl\u00fc bestecilerin eserlerini ba\u015far\u0131yla yorumlad\u0131.<\/p>\n

Londra Royal Albert Hall ve New York Carnagie Hall\u2019de orkestra e\u015fli\u011finde \u00e7ok say\u0131da konser veren sanat\u00e7\u0131 ayr\u0131ca Roma, Napoli, Venedik, Viyana, Paris, San Francisco, K\u00f6ln, Buenos Aires, Rio de Janerio, Bilbao ve Chicago\u2019da sahne ald\u0131.<\/p>\n

Leyla Gencer, son kez 1985\u2019te Venedik Fenice Tiyatrosu\u2019nda opera seslendirdi, 1994\u2019te Sevda-Cenap And M\u00fczik Vakf\u0131 Onur \u00d6d\u00fcl\u00fc Alt\u0131n Madalyas\u0131\u2019n\u0131 ald\u0131.<\/p>\n

\u0130TALYA\u2019DA CARUSO \u00d6D\u00dcL\u00dc ALDI<\/strong><\/p>\n

Kariyeri boyunca 23 bestecinin 72 eserini repertuvar\u0131na alan sanat\u00e7\u0131, konserlerini 1992\u2019ye kadar s\u00fcrd\u00fcrd\u00fc. Sonraki y\u0131llarda gen\u00e7 sanat\u00e7\u0131lar yeti\u015ftiren Gencer, Ankara ve \u0130stanbul\u2019da opera seminerleri verdi.<\/p>\n

Gencer, T\u00fcrkiye\u2019de opera sanat\u0131n\u0131n tan\u0131nmas\u0131 ve geli\u015fmesi i\u00e7in bir\u00e7ok \u00e7al\u0131\u015fmaya imza att\u0131, ara\u015ft\u0131rmac\u0131 y\u00f6n\u00fcyle T\u00fcrk ve d\u00fcnya operas\u0131na \u00f6nemli katk\u0131larda bulundu. D\u00f6nemi itibar\u0131yla unutulmu\u015f bir\u00e7ok opera eserini tozlu ar\u015fivleri tarayarak g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karan sanat\u00e7\u0131, yorumlad\u0131\u011f\u0131 eserleri yeniden opera d\u00fcnyas\u0131na kazand\u0131rd\u0131.<\/p>\n

\u201cDevlet Sanat\u00e7\u0131s\u0131\u201d unvan\u0131n\u0131 1988\u2019de alan sanat\u00e7\u0131, 2007\u2019de \u0130talya\u2019da Caruso \u00d6d\u00fcl\u00fc\u2019ne lay\u0131k g\u00f6r\u00fcld\u00fc.<\/p>\n

Opera d\u00fcnyas\u0131na yeni yetenekler kazand\u0131rmay\u0131 ama\u00e7layan \u201cLeyla Gencer Uluslararas\u0131 \u015ean Yar\u0131\u015fmas\u0131\u201d sanat\u00e7\u0131 ad\u0131na ilk kez 1995\u2019te d\u00fczenlenmeye ba\u015flad\u0131.<\/p>\n

Ayr\u0131ca 2004\u2019te T\u00fcrkiye\u2019de Leyla Gencer ad\u0131na g\u00fcm\u00fc\u015f hat\u0131ra paras\u0131 bas\u0131ld\u0131.<\/p>\n

Bir\u00e7ok \u00fclkeden ve kurumdan say\u0131s\u0131z \u00f6d\u00fclle ni\u015fan alan Gencer\u2019e, pek \u00e7ok \u00fclke vatanda\u015fl\u0131k teklifinde bulundu. Tekliflerin tamam\u0131n\u0131 geri \u00e7eviren sanat\u00e7\u0131, \u201cBen, Anadolu \u00e7ocu\u011fuyum.\u201d diyerek, ya\u015fam\u0131 boyunca T\u00fcrk vatanda\u015fl\u0131\u011f\u0131n\u0131 onurla ta\u015f\u0131d\u0131.<\/p>\n

Hakk\u0131nda, Zeynep Oral\u2019\u0131n yazd\u0131\u011f\u0131 \u201cTutkunun Roman\u0131: Leyla Gencer\u201d kitab\u0131n\u0131n yan\u0131 s\u0131ra bir\u00e7ok yaz\u0131 ve ara\u015ft\u0131rma kaleme al\u0131nan Gencer, kalp ve solunum yetmezli\u011fi nedeniyle 10 May\u0131s 2008\u2019de Milano\u2019daki evinde hayata veda etti. (AA)<\/p>\n","protected":false},"excerpt":{"rendered":"

Milano, Roma, Venedik, Viyana, Paris, Buenos Aires, Londra, Rio de Janerio ve Chicago’da bir\u00e7ok kez ba\u015frolde sahne alan, d\u00fcnyada T\u00fcrk Divas\u0131 (La Diva Turca) olarak tan\u0131nan Leyla Gencer, vefat\u0131n\u0131n 15. y\u0131l\u0131nda yad ediliyor.<\/p>\n","protected":false},"author":1,"featured_media":88275,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[2830,1738,2248,121,3872],"class_list":["post-88274","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-gencer","tag-konser","tag-opera","tag-sanat","tag-sanatci"],"_links":{"self":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/88274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=88274"}],"version-history":[{"count":1,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/88274\/revisions"}],"predecessor-version":[{"id":88276,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/88274\/revisions\/88276"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/media\/88275"}],"wp:attachment":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=88274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=88274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=88274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}