{"id":90857,"date":"2023-05-16T08:51:02","date_gmt":"2023-05-16T08:51:02","guid":{"rendered":"https:\/\/haberulus.net\/?p=90857"},"modified":"2023-05-16T08:51:02","modified_gmt":"2023-05-16T08:51:02","slug":"taksim-meydaninda-isimsiz-heykel-tartismasi","status":"publish","type":"post","link":"https:\/\/haberulus.net\/?p=90857","title":{"rendered":"Taksim Meydan\u0131\u2019nda \u2018\u0130simsiz heykel\u2019 tart\u0131\u015fmas\u0131"},"content":{"rendered":"

Sanatseverleri yenilenen y\u00fcz\u00fcyle kar\u015f\u0131layan Atat\u00fcrk K\u00fclt\u00fcr Merkezi\u2019nin mimarisini kal\u0131c\u0131 sanat eserleri ile zenginle\u015ftirmek amac\u0131yla ge\u00e7en y\u0131l nisan ay\u0131nda Heykel Yar\u0131\u015fmas\u0131 d\u00fczenlendi.<\/p>\n

Duayen isimlerden olu\u015fan j\u00fcrinin de\u011ferlendirmeleri sonucunda da yar\u0131\u015fmay\u0131 kazanan sanat\u00e7\u0131, i\u00e7 mimar ve tasar\u0131mc\u0131 Semih Eskicio\u011flu oldu.<\/p>\n

Yar\u0131\u015fma \u015fartnamesinde belirtilen \u00e7evre ile uyum, yenilik\u00e7i yakla\u015f\u0131m, mimari ile kesin diyaloga girmesi gibi kriterleri kar\u015f\u0131layan eser, ge\u00e7ti\u011fimiz hafta tam haliyle Atat\u00fcrk K\u00fclt\u00fcr Merkezi\u2019nin hemen yan\u0131na yap\u0131ld\u0131.<\/p>\n

Esere \u0130BB Genel Sekreter Yard\u0131mc\u0131s\u0131 Mahir Polat\u2019tan tepki geldi. Polat, \u201cTaksim Meydan\u0131\u2019na yap\u0131lan bu rezalet an\u0131nda durmal\u0131\u201d diyerek tepki g\u00f6sterdi.<\/p>\n

Vatanda\u015flardan kimi eseri an\u0131t mezara benzetirken kimi de in\u015faat\u0131n demir iskelesine benzetti.<\/p>\n

\u201cESER\u0130N H\u0130KAYES\u0130NE, YARI\u015eMANIN KONUSUNA UYGUN YAKLA\u015eTIM\u201d<\/strong><\/p>\n

Eserin sahibi Semih Eskicio\u011flu, \u015f\u00f6yle konu\u015ftu:<\/p>\n

*Her \u015fey zaten ele\u015ftirilmelidir ama ele\u015ftirinin bir bilgiye dayal\u0131 olmas\u0131 gerekir. Bilgiye ula\u015fmak da g\u00fcn\u00fcm\u00fczde \u00e7ok kolay.<\/p>\n

*Bu yar\u0131\u015fman\u0131n j\u00fcrisini, nas\u0131l buraya kondu\u011funu, benim buraya kafama g\u00f6re bir \u015fey koyamayaca\u011f\u0131m\u0131 ara\u015ft\u0131r\u0131p sonras\u0131nda ele\u015ftirilirse bu \u015fekilde daha \u00e7ok mutlu olurum. Bu tamamen s\u00fcbjektif bir mesele. Hikayeye dayanarak yak\u0131\u015ft\u0131r\u0131lamamas\u0131n\u0131 tercih ederim.<\/p>\n

*Herkese a\u00e7\u0131k bir yar\u0131\u015fmayd\u0131. 80 ki\u015fi aras\u0131ndan birinci oldum. Yar\u0131\u015fma bir heykel yar\u0131\u015fmas\u0131. Yar\u0131\u015fman\u0131n konusu Atat\u00fcrk K\u00fclt\u00fcr Merkezi binas\u0131yla, yerle\u015fkesiyle, cepheyle uyumlu ba\u015fka bir yere konuldu\u011funda anlam\u0131 olmayacak, sadece buraya ait olan bir heykel gibi daha uzun bir alt metni de olan bir hikayesi var. Eserin hikayesine, yar\u0131\u015fman\u0131n konusuna uygun olarak yakla\u015ft\u0131m.<\/p>\n

<\/p>\n

Eserin sahibi Semih Eskicio\u011flu<\/p>\n<\/div>\n

\u201cSES DALGALARI METAFOR\u0130K OLARAK DALGALANDIRIYOR\u201d<\/strong><\/p>\n

*Cepheyle, kentin siluetiyle b\u00fct\u00fcnle\u015fmesi a\u00e7\u0131s\u0131ndan formunu olu\u015fturan \u015fey opera binas\u0131ndan \u00e7\u0131kan ses dalgalar\u0131n\u0131, metaforik olarak bunu dalgaland\u0131rmas\u0131. O da sanat\u0131n kente yay\u0131lmas\u0131n\u0131 temsil ediyor. Sonras\u0131nda daha d\u00fcz bir forma b\u00fcr\u00fcn\u00fcyor.<\/p>\n

*O da kentle b\u00fct\u00fcnle\u015fen bir forma d\u00f6n\u00fc\u015fmesi. Ayd\u0131nlatmas\u0131 da bunu destekliyor. Opera binas\u0131nda etkinlik oldu\u011funda bir dalgalanma efekti oluyor. Renginin s\u0131\u00e7ramas\u0131 da yine, hafif bir k\u0131rm\u0131z\u0131l\u0131k, opera binas\u0131yla tamamen b\u00fct\u00fcnle\u015fmesiyle ilgili bir hikayesi var.<\/p>\n

*As\u0131l vurgulu k\u0131sm\u0131ysa \u015feffaf olmas\u0131. Buraya daha klasik kapal\u0131 bir heykel yap\u0131labilirdi, zaten yar\u0131\u015fmada bu fikrin \u00f6ne \u00e7\u0131kmas\u0131n\u0131n sebebi de buydu, \u015feffaf bir str\u00fckt\u00fcr\u00fcn\u00fcn olmas\u0131.<\/p>\n

\u201cH\u0130KAYEYE DAYANARAK YAKI\u015eTIRILMAMASINI TERC\u0130H EDER\u0130M\u201d<\/strong><\/p>\n

*Kapal\u0131 bir heykel yap\u0131ld\u0131\u011f\u0131nda i\u00e7inde b\u00f6yle bir str\u00fckt\u00fcr olacakt\u0131, asl\u0131nda uzaktan bak\u0131ld\u0131\u011f\u0131nda tamamen m\u00fctevazi, kaybolabilen bir eser olmas\u0131. Bence her \u015fey zaten ele\u015ftirilmelidir ama ele\u015ftirinin bir bilgiye dayal\u0131 olmas\u0131 gerekir.<\/p>\n

*Bilgiye ula\u015fmak da g\u00fcn\u00fcm\u00fczde \u00e7ok kolay. Bu yar\u0131\u015fman\u0131n j\u00fcrisini, nas\u0131l buraya kondu\u011funu, benim buraya kafama g\u00f6re bir \u015fey koyamayaca\u011f\u0131m\u0131 ara\u015ft\u0131r\u0131p, sonras\u0131nda ele\u015ftirilirse bu \u015fekilde daha \u00e7ok mutlu olurum. Bu tamamen s\u00fcbjektif bir mesele. Hikayeye dayanarak yak\u0131\u015ft\u0131r\u0131lamamas\u0131n\u0131 tercih ederim<\/p>\n

<\/p>\n

\u201cB\u0130R SANAT\u00c7ININ YAPTI\u011eI ESERE SAYGI DUYMAK GEREK\u0130YOR\u201d<\/strong><\/p>\n

\u2018\u0130simsiz Heykel\u2019 isimli eseri yorumlayan Mimar Ahmet Erkurto\u011flu da, \u201cAtat\u00fcrk K\u00fclt\u00fcr Merkezi g\u00fcn\u00fcm\u00fcz\u00fcn modern mimarisini yans\u0131tan bir eser. Bir vatanda\u015f g\u00f6z\u00fcyle heykele bakt\u0131\u011f\u0131n\u0131z zaman beton at\u0131lmadan kal\u0131b\u0131 s\u00f6k\u00fclm\u00fc\u015f karkas bir yap\u0131ya benziyor. Bir yar\u0131\u015fma projesi, de\u011ferli j\u00fcri \u00fcyeleri var. \u00c7evreyle, binan\u0131n kitlesel formuyla ve fonksiyonuyla ilgili bir eser ortaya koyulmu\u015f. Bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda g\u00fczel bir eser kazand\u0131r\u0131lm\u0131\u015f. Form ne olursa olsun bir sanat\u00e7\u0131n\u0131n yapt\u0131\u011f\u0131 esere sayg\u0131 duymak gerekir diye d\u00fc\u015f\u00fcn\u00fcyorum. J\u00fcri \u00fcyeleri t\u00fcm eserler aras\u0131ndan \u00fc\u00e7 tane se\u00e7ip de halk\u0131n onay\u0131na sunulsayd\u0131 ve birinci olsayd\u0131 o zaman hi\u00e7 ele\u015ftiriye, yoruma gerek kalmazd\u0131 diye d\u00fc\u015f\u00fcn\u00fcyorum. Yine de bu eseri yapan gen\u00e7 meslekta\u015f\u0131m\u0131z\u0131 tebrik ediyorum. Mimarl\u0131k, tasar\u0131m, heykelt\u0131ra\u015fl\u0131k bir yarat\u0131c\u0131l\u0131kt\u0131r. Burada gen\u00e7 meslekta\u015f\u0131m\u0131z binan\u0131n formunu ele alm\u0131\u015f, oradaki fonksiyonu ele alm\u0131\u015f. Bitkilerle b\u00fct\u00fcnle\u015fmesini sa\u011flam\u0131\u015f. Buna sayg\u0131 duymak gerekir diye d\u00fc\u015f\u00fcn\u00fcyorum. Kitlenin \u00e7ok b\u00fcy\u00fck olmas\u0131 ele\u015ftirilebilir ama sonu\u00e7ta bir sanat\u00e7\u0131n\u0131n \u00fcr\u00fcn\u00fcd\u00fcr\u201d ifadelerini kulland\u0131.<\/p>\n

Taksim\u2019i gezmeye gelen vatanda\u015flar da heykelle ilgili farkl\u0131 g\u00f6r\u00fc\u015fler sundu.<\/p>\n","protected":false},"excerpt":{"rendered":"

Taksim’de Atat\u00fcrk K\u00fclt\u00fcr Merkezi’nin hemen yan\u0131na yap\u0131lan ‘\u0130simsiz Heykel’ tart\u0131\u015fmalara neden oldu. \u0130BB Genel Sekreter Yard\u0131mc\u0131s\u0131 Mahir Polat, “Taksim Meydan\u0131’na yap\u0131lan bu rezalet an\u0131nda durmal\u0131” a\u00e7\u0131klamas\u0131nda bulundu.\u00a0<\/p>\n","protected":false},"author":1,"featured_media":90858,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26],"tags":[1085,118,119,121,743],"class_list":["post-90857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gundem","tag-ele","tag-eser","tag-heykel","tag-sanat","tag-yarisma"],"_links":{"self":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/90857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=90857"}],"version-history":[{"count":1,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/90857\/revisions"}],"predecessor-version":[{"id":90859,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/90857\/revisions\/90859"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/media\/90858"}],"wp:attachment":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=90857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=90857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=90857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}