T\u00fcrk edebiyat\u0131nda \u00f6nemli bir yere sahip olan H\u00fcseyin Cemil Meri\u00e7, Zeynep Ziynet Han\u0131m ile Mahmut Niyazi Bey\u2019in o\u011flu olarak 12 Aral\u0131k 1916\u2019da Hatay\u2019\u0131n Reyhanl\u0131 il\u00e7esinde do\u011fdu.<\/p>\n
Meri\u00e7\u2019in ailesi Birinci Balkan Sava\u015f\u0131\u2019n\u0131n s\u00fcrd\u00fc\u011f\u00fc 1912\u2019de, Meri\u00e7 nehri yak\u0131nlar\u0131ndaki Dimetoka\u2019dan Antakya\u2019ya g\u00f6\u00e7 etmi\u015fti.<\/p>\n
Okumay\u0131 4 ya\u015f\u0131nda s\u00f6ken, ilk ve orta \u00f6\u011frenimini Arap\u00e7a, Frans\u0131zca ve Kur\u2019an-\u0131 Kerim e\u011fitimi de ald\u0131\u011f\u0131 Reyhanl\u0131 R\u00fc\u015ftiyesi\u2019nde tamamlayan Meri\u00e7, Frans\u0131z idaresindeki Antakya\u2019da, Frans\u0131z e\u011fitimi veren Antakya Sultanisi\u2019ne devam etti.<\/p>\n
Yazar Meri\u00e7, ailesine ve \u00e7ocukluk y\u0131llar\u0131na ili\u015fkin yapt\u0131\u011f\u0131 bir a\u00e7\u0131klamada, \u201cBabam \u00e7e\u015fitli nikbetler y\u00fcz\u00fcnden hayata k\u00fcsm\u00fc\u015f, eski bir yarg\u0131\u00e7. Az konu\u015fan, \u00e7at\u0131k ka\u015fl\u0131, hareketlerine ak\u0131l erdiremedi\u011fim bir insan. Annem bu yabani d\u00fcnyada, a\u015finas\u0131 olmayan hasta bir kad\u0131nca\u011f\u0131z. Silik, m\u0131zm\u0131z. 12 Aral\u0131k\u2019ta do\u011fan ben, hep itilip kak\u0131lm\u0131\u015f\u0131m. D\u00fc\u015fman bir d\u00fcnyada, dostsuz b\u00fcy\u00fcd\u00fcm. Daima ba\u015fka, daima yabanc\u0131. D\u00fc\u015fman bir \u00e7evrede, ister istemez kitaplara ka\u00e7t\u0131m\u201d ifadelerini kullanm\u0131\u015ft\u0131.<\/p>\n
Meri\u00e7\u2019in ki\u015fili\u011fini Hatay\u2019\u0131n siyasi, k\u00fclt\u00fcrel ve sosyal yap\u0131s\u0131 etkiledi<\/strong><\/p>\n Ailesindeki g\u00f6\u00e7menlik psikolojisi, do\u011fdu\u011fu ve gen\u00e7li\u011fine kadar ya\u015fad\u0131\u011f\u0131 Hatay\u2019\u0131n siyasi, k\u00fclt\u00fcrel ve sosyal yap\u0131s\u0131, Meri\u00e7\u2019in ki\u015fili\u011fini etkiledi.<\/p>\n Meri\u00e7, Frans\u0131z ve T\u00fcrk hocalardan \u00f6zel dersler ald\u0131\u011f\u0131 ve \u201cBenim \u00fcniversitem\u201d dedi\u011fi lisede, Ali \u0130lmi Fani k\u0131lavuzlu\u011funda divan edebiyat\u0131n\u0131 ke\u015ffetti.<\/p>\n \u201cGe\u00e7 Kalm\u0131\u015f Bir Muhasebe\u201d ba\u015fl\u0131kl\u0131 ilk yaz\u0131s\u0131 yerel Yenig\u00fcn gazetesinde 1933\u2019te yay\u0131mlanan yazar, 1936\u2019da Nurullah Ata\u00e7 ve Re\u015fat Ekrem Ko\u00e7u\u2019nun \u00f6\u011fretmenlik yapt\u0131\u011f\u0131 \u0130stanbul Pertevniyal Lisesi\u2019ne ge\u00e7ti.<\/p>\n Usta edebiyat\u00e7\u0131, bir yaz\u0131s\u0131nda baz\u0131 \u00f6\u011fretmenleri ele\u015ftirdi\u011fi i\u00e7in 12. s\u0131n\u0131fta liseden ayr\u0131lmak zorunda kal\u0131rken, ayn\u0131 y\u0131l Naz\u0131m Hikmet ve Kerim Sadi ile tan\u0131\u015ft\u0131.<\/p>\n Ge\u00e7im s\u0131k\u0131nt\u0131s\u0131 nedeniyle 1937\u2019de gitti\u011fi \u0130skenderun\u2019un Haymaseki k\u00f6y\u00fcnde 9 ay \u00f6\u011fretmenlik yapan yazar, daha sonra s\u0131navla girdi\u011fi \u0130skenderun Terc\u00fcme B\u00fcrosu\u2019na reis muavini oldu.<\/p>\n Cemil Meri\u00e7, 1938\u2019de \u00e7e\u015fitli ge\u00e7ici i\u015flerde \u00e7al\u0131\u015ft\u0131, 1939\u2019da ise Hatay h\u00fck\u00fcmetini devirmek iddias\u0131yla tutuklan\u0131p Antakya\u2019ya g\u00f6t\u00fcr\u00fcld\u00fc. \u0130dam talebiyle yarg\u0131lanan Meri\u00e7, yakla\u015f\u0131k 3 ay sonra beraat etti. Hatay ayn\u0131 y\u0131l 29 Haziran\u2019da T\u00fcrkiye\u2019ye kat\u0131ld\u0131.<\/p>\n \u0130lk \u00e7evirisi, Balzac\u2019\u0131n \u201cAlt\u0131n G\u00f6zl\u00fc K\u0131z\u201d roman\u0131 1943\u2019te yay\u0131mland\u0131<\/strong><\/p>\n \u0130stanbul \u00dcniversitesi Edebiyat Fak\u00fcltesi Felsefe B\u00f6l\u00fcm\u00fc\u2019ne 1940\u2019ta ba\u015flayan yazar, \u00fcniversiteden \u00e7ok k\u00fct\u00fcphanelere gitti\u011fi i\u00e7in okulu bitiremedi.<\/p>\n Meri\u00e7\u2019in yaz\u0131lar\u0131 1941\u2019den itibaren \u0130nsan, Y\u00fccel, G\u00fcn, Ay\u0131n Bibliyografyas\u0131 dergilerinde yay\u0131mland\u0131.<\/p>\n Fevziye Mente\u015feo\u011flu ile 1942\u2019de evlenen yazar\u0131n o\u011flu Mahmut Ali 1945\u2019te, k\u0131z\u0131 \u00dcmit 1946\u2019da d\u00fcnyaya geldi.<\/p>\n \u0130lk \u00e7eviri kitab\u0131 Balzac\u2019\u0131n \u201cAlt\u0131n G\u00f6zl\u00fc K\u0131z\u201d roman\u0131 1943\u2019te yay\u0131mlanan Meri\u00e7, burslu kabul edildi\u011fi \u0130stanbul \u00dcniversitesi Yabanc\u0131 Diller Y\u00fcksekokulu Frans\u0131z Filolojisi B\u00f6l\u00fcm\u00fc\u2019nden 1944\u2019te mezun oldu.<\/p>\n Usta edebiyat\u00e7\u0131, 1944-1974\u2019te Elaz\u0131\u011f Lisesi ve \u0130stanbul I\u015f\u0131k Lisesi\u2019nde \u00f6\u011fretmenlik, \u0130stanbul \u00dcniversitesi\u2019nde ise Frans\u0131zca okutmanl\u0131\u011f\u0131 yapt\u0131.<\/p>\n G\u00f6zleri 1954\u2019te zay\u0131flayan ve ba\u015far\u0131s\u0131z g\u00f6z ameliyatlar\u0131n\u0131n ard\u0131ndan 1955\u2019te g\u00f6rme yetisini tamamen yitiren Meri\u00e7, \u00e7evresindekilere okuttu\u011fu Frans\u0131zca ve \u0130ngilizce metinleri s\u00f6zl\u00fc olarak \u00e7evirip yard\u0131mc\u0131lar\u0131na yazd\u0131rd\u0131, bas\u0131lmam\u0131\u015f olan Frans\u0131zca grameri haz\u0131rlad\u0131. Dikte etmek suretiyle makaleler yazmaya devam etti.<\/p>\n \u0130lk telif kitab\u0131 \u201cHint Edebiyat\u0131\u201d 1964\u2019te yay\u0131mland\u0131<\/strong><\/p>\n Cemil Meri\u00e7\u2019in Do\u011fu medeniyetlerine olan \u00f6n yarg\u0131lar\u0131 y\u0131kmay\u0131 ama\u00e7layan ve 4 y\u0131ll\u0131k bir \u00e7al\u0131\u015fman\u0131n sonunda tamamlanan ilk telif kitab\u0131 \u201cHint Edebiyat\u0131\u201d, 1964\u2019te yay\u0131mland\u0131. Eser \u201cBir D\u00fcnyan\u0131n E\u015fi\u011finde\u201d ba\u015fl\u0131\u011f\u0131yla iki kez daha bas\u0131ld\u0131.<\/p>\n Bat\u0131 d\u00fc\u015f\u00fcncesinin \u00f6nemli bir y\u00f6n\u00fcn\u00fc ayd\u0131nlatmay\u0131 ama\u00e7layan Meri\u00e7\u2019in \u201cSaint Simon-\u0130lk Sosyolog \u0130lk Sosyalist\u201d eseri 1967\u2019de okurla bulu\u015furken, yaz\u0131 ve \u00e7evirileri 1965-1973\u2019te \u00e7e\u015fitli dergilerde yay\u0131mland\u0131.<\/p>\n Usta edebiyat\u00e7\u0131, Hisar dergisinde \u201cFildi\u015fi Kuleden\u201d ba\u015fl\u0131\u011f\u0131yla denemeler yazd\u0131. \u201cBu sayfalarda hayat\u0131m\u0131n b\u00fct\u00fcn\u00fc, yani b\u00fct\u00fcn sevgilerim, b\u00fct\u00fcn kinlerim, b\u00fct\u00fcn tecr\u00fcbelerim var. Bana \u00f6yle geliyor ki hayat denen m\u00fclakata bu kitab\u0131 yazmak i\u00e7in geldim; etimin eti, kemi\u011fimin kemi\u011fi.\u201d dedi\u011fi \u201cBu \u00dclke\u201d kitab\u0131n\u0131 1974\u2019te yay\u0131mlad\u0131.<\/p>\n Ayn\u0131 y\u0131l, medeniyet kavram\u0131n\u0131 tart\u0131\u015ft\u0131\u011f\u0131 \u201cUmrandan Uygarl\u0131\u011fa\u201d adl\u0131 eseri okurla bulu\u015fturdu.<\/p>\n Meri\u00e7, 1981\u2019de yar\u0131 derleme, yar\u0131 telif \u201cBir Facian\u0131n Hikayesi\u201d adl\u0131 eserde yak\u0131n tarihi ele ald\u0131.<\/p>\n \u0130leti\u015fim Yay\u0131nlar\u0131ndan 1983\u2019te \u00e7\u0131kan \u201cCumhuriyet D\u00f6nemi T\u00fcrkiye Ansiklopedisi\u201dne makaleler yazd\u0131.<\/p>\n E\u015fi Fevziye Han\u0131m\u2019\u0131 1983\u2019te kaybeden, ayn\u0131 y\u0131l beyin kanamas\u0131 ge\u00e7irerek sol taraf\u0131na fel\u00e7 inen Meri\u00e7\u2019in sa\u011fl\u0131\u011f\u0131nda bas\u0131lan son eserleri \u201cI\u015f\u0131k Do\u011fudan Gelir\u201d ile \u201cK\u00fclt\u00fcrden \u0130rfana\u201d oldu.<\/p>\n Cemil Meri\u00e7, 13 Haziran 1987\u2019de, 71 ya\u015f\u0131nda hayata veda ederek, Karacaahmet Mezarl\u0131\u011f\u0131\u2019na e\u015finin yan\u0131na defnedildi.<\/p>\n Meri\u00e7\u2019in k\u00fct\u00fcphanesi k\u0131z\u0131 Prof. Dr. \u00dcmit Meri\u00e7 taraf\u0131ndan Cumhurba\u015fkanl\u0131\u011f\u0131 K\u00fct\u00fcphanesi\u2019ne ba\u011f\u0131\u015fland\u0131<\/strong><\/p>\n Kendisine has \u00fcslubu ve temiz T\u00fcrk\u00e7esiyle dikkati \u00e7eken Meri\u00e7\u2019in \u00e7eviri ve makaleleri ba\u015fta \u0130nsan, Ama\u00e7, 19. As\u0131r, G\u00fcn, Yeni \u0130nsan, Hisar, Hareket, Yirminci As\u0131r, T\u00fcrk Edebiyat\u0131, Kubbealt\u0131 Akademi, K\u00f6pr\u00fc ve Ger\u00e7ek olmak \u00fczere 40 kadar dergide ve Yeni Devir ve Orta Do\u011fu gazeteleriyle ansiklopedilerde okuyucuyla bulu\u015ftu.<\/p>\n Cemil Meri\u00e7, \u201cUmrandan Uygarl\u0131\u011fa\u201d kitab\u0131yla 1974\u2019te, \u201cK\u0131rk Ambar\u201d kitab\u0131yla 1980\u2019de T\u00fcrkiye Milli K\u00fclt\u00fcr Vakf\u0131 Arma\u011fan\u0131\u2019n\u0131 al\u0131rken, T\u00fcrkiye Yazarlar Birli\u011finin \u00dcst\u00fcn Hizmet \u00d6d\u00fcl\u00fc\u2019n\u00fc 1981\u2019de Mehmet Kaplan ve Emin Bilgi\u00e7 ile payla\u015ft\u0131.<\/p>\n Kayseri Sanat\u00e7\u0131lar Derne\u011fi\u2019nden 1982\u2019de inceleme dal\u0131nda, 1986\u2019da ise fikir dal\u0131nda \u00f6d\u00fcl kazanan Meri\u00e7\u2019in Hatay\u2019\u0131n Reyhanl\u0131 il\u00e7esindeki evi 2014\u2019te m\u00fczeye d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc.<\/p>\n Yazar Meri\u00e7, 2015\u2019te Cumhurba\u015fkanl\u0131\u011f\u0131 taraf\u0131ndan verilen K\u00fclt\u00fcr ve Sanat B\u00fcy\u00fck \u00d6d\u00fcl\u00fc\u2019ne lay\u0131k g\u00f6r\u00fcld\u00fc.<\/p>\n K\u00fct\u00fcphanesindeki her biri e\u015fsiz 300 Osmanl\u0131ca eser, ba\u015fta ara\u015ft\u0131rmac\u0131lar olmak \u00fczere insanl\u0131\u011f\u0131n istifadesine sunulmak \u00fczere, Meri\u00e7\u2019in k\u0131z\u0131 Prof. Dr. \u00dcmit Meri\u00e7 taraf\u0131ndan Cumhurba\u015fkanl\u0131\u011f\u0131 K\u00fct\u00fcphanesi\u2019ne ba\u011f\u0131\u015fland\u0131.<\/p>\n Terc\u00fcmeleri d\u0131\u015f\u0131ndaki b\u00fct\u00fcn kitaplar\u0131n\u0131, g\u00f6zlerini kaybettikten sonra kaleme ald\u0131<\/strong><\/p>\n \u201cJurnal\u201d adl\u0131 kitab\u0131nda kendisini \u201cHayat\u0131n\u0131 T\u00fcrk irfan\u0131na adayan, m\u00fcnzevi ve m\u00fctecessis bir fikir i\u015f\u00e7isi\u201d olarak ifade eden Cemil Meri\u00e7, ba\u015fta dil, tarih, edebiyat, felsefe ve sosyoloji olmak \u00fczere sosyal bilimlerin bir\u00e7ok alan\u0131nda ara\u015ft\u0131rma yaparak yaz\u0131lar yazd\u0131.<\/p>\n Cemil Meri\u00e7, terc\u00fcmeleri d\u0131\u015f\u0131ndaki b\u00fct\u00fcn kitaplar\u0131n\u0131 g\u00f6zlerini kaybettikten sonra e\u015finin, \u00f6\u011frencilerinin ve \u00e7ocuklar\u0131n\u0131n deste\u011fiyle kaleme ald\u0131.<\/p>\n \u00dcslup sahibi b\u00fcy\u00fck d\u00fc\u015f\u00fcn\u00fcr ve yazarlar olarak Muallim Naci\u2019yi, S\u00fcleyman Nazif\u2019i, Refik Halid\u2019i ve Peyami Safa\u2019y\u0131 sayan Cemil Meri\u00e7, kendi \u00fcslubunu en \u00e7ok etkileyenin ve \u00fcslupta kendine usta kabul etti\u011fi ki\u015finin S\u00fcleyman Nazif oldu\u011funu s\u00f6yleyerek, \u201cAmac\u0131m, yazar\u0131 okuyucusundan ay\u0131ran b\u00fct\u00fcn engelleri y\u0131kmak, sesimi b\u00fct\u00fcn hiziplere duyurmak. \u015euurun, tarihin, ilmin sesini\u2026 \u00d6yle bir ifade yaratmak istiyorum ki T\u00fcrk insan\u0131n\u0131n uyuyan \u015fuuruna, bir alev m\u0131zrak gibi saplans\u0131n\u201d demi\u015fti. Avrupal\u0131la\u015fmak, \u00e7a\u011fda\u015fla\u015fmak ya da yabanc\u0131la\u015fmay\u0131 birbirinden ayr\u0131 g\u00f6rmeyen Cemil Meri\u00e7, \u015fu tespitleri payla\u015f\u0131r okurlar\u0131yla:<\/p>\n \u201cBat\u0131l\u0131la\u015fma miti eskiyince yeni bir yalan \u00e7\u0131kt\u0131 sahneye\u2026 Daha do\u011frusu ayn\u0131 nazenin taze bir makyajla arz-\u0131 endam etti. Filhakika intelijansiyam\u0131z\u0131n (ayd\u0131nlar tak\u0131m\u0131) \u015ferefine \u015fampanya \u015fi\u015feleri patlatt\u0131\u011f\u0131 bu s\u00f6zde bakire Tanzimat’tan beri tan\u0131d\u0131\u011f\u0131m\u0131z Bat\u0131l\u0131la\u015fman\u0131n ta kendisi. \u00c7a\u011fda\u015fla\u015fmak, karanl\u0131k, kaypak, rezil bir kavram. Rezil, \u00e7\u00fcnk\u00fc tehlikesiz, masum, tarafs\u0131z bir g\u00f6r\u00fcn\u00fc\u015f\u00fc var. \u00c7a\u011fda\u015fla\u015fmak elbette ki Avrupal\u0131la\u015fmakt\u0131r. Avrupal\u0131la\u015fmak yani yok olmak. Avrupa bizi \u00e7a\u011fda\u015f ilan etti. Zira apayr\u0131 bir medeniyetin \u00e7ocuklar\u0131y\u0131z, d\u00fc\u015fman bir medeniyetin, bamba\u015fka bir \u00f6l\u00e7\u00fcleri olan, \u00e7ok daha eski, \u00e7ok daha asil, \u00e7ok daha insanca bir medeniyetin.\u201d<\/p>\n Do\u011fu Bat\u0131 \u00e7at\u0131\u015fmas\u0131n\u0131 d\u00fc\u015f\u00fcncesinin ana omurgas\u0131na yerle\u015ftiren, oryantalizmi s\u00f6m\u00fcrgecili\u011fin ke\u015fif kolu olarak g\u00f6ren Meri\u00e7, \u201cOsmanl\u0131 irfand\u0131r, Avrupa k\u00fclt\u00fcrd\u00fcr\u201d de\u011ferlendirmesiyle \u201cK\u00fclt\u00fcrden \u0130rfana\u201d adl\u0131 eserinde \u015fu \u00f6nerilerde bulunur:<\/p>\n \u201cHadis-i \u015ferif, kendini tan\u0131yan Rabbini de tan\u0131r buyuruyor. \u00d6nce kendilerini tan\u0131mal\u0131lar; kendilerini yani ikbal ve idbar\u0131yla tarihlerinin b\u00fct\u00fcn\u00fcn\u00fc, kendi dillerini, kendi dinlerini, kendi irfanlar\u0131n\u0131. Sonra insanl\u0131\u011f\u0131n tarihine e\u011filmek, Asya ve Avrupa’n\u0131n her d\u00fc\u015f\u00fcncesini hi\u00e7bir pe\u015fin h\u00fckme saplanmadan incelemek. Bu \u00e7etin yolculukta iki \u00e7etin yard\u0131mc\u0131ya ihtiya\u00e7 var: 1- Milli irfan hazinelerini taramaya yetecek zengin ve k\u00f6kl\u00fc bir T\u00fcrk\u00e7e (\u0130slam harflerini \u00f6\u011frenmeden b\u00f6yle bir fethe \u00e7\u0131k\u0131labilece\u011fini sanm\u0131yorum) 2- Bir Bat\u0131 dili, Avrupa’y\u0131, imtiyazl\u0131 birka\u00e7 z\u00fcppenin vesayetine ihtiya\u00e7 duymadan bizzat tetkik etmek i\u00e7in bir bat\u0131 dilini bilmekten ba\u015fka \u00e7are yoktur. Sonra \u2018ikra\u2019 emr-i celiline uymak..\u201d<\/p>\n Meri\u00e7\u2019in eserleri<\/strong><\/p>\n \u201cKendimizi tan\u0131mak, irfan\u0131n varabilece\u011fi en y\u00fcksek merhale.\u201d s\u00f6z\u00fcn\u00fc pratik olarak b\u00fct\u00fcn hayat\u0131na i\u015fleyen Cemil Meri\u00e7, deneme, inceleme dal\u0131nda \u201cHint Edebiyat\u0131 (Bir D\u00fcnyan\u0131n E\u015fi\u011finde)\u201d, \u201cSaint Simon \u2013 \u0130lk Sosyolog \u0130lk Sosyalist\u201d, \u201c\u0130deoloji\u201d, \u201cBu \u00dclke\u201d, \u201cUmrandan Uygarl\u0131\u011fa\u201d, \u201cMa\u011faradakiler\u201d, \u201cK\u0131rk Ambar\u201d, \u201cBir Facian\u0131n Hikayesi\u201d, \u201cI\u015f\u0131k Do\u011fudan Gelir\u201d, \u201cK\u00fclt\u00fcrden \u0130rfana\u201d, \u201cJurnal I-II\u201d, \u201cSosyoloji Notlar\u0131 ve Konferanslar\u201d eserlerini kaleme ald\u0131. “Ma\u011faradakiler”, “Umrandan Uygarl\u0131\u011fa”, “K\u00fclt\u00fcrden \u0130rfana”, “Bir D\u00fcnyan\u0131n E\u015fi\u011finde”, “I\u015f\u0131k Do\u011fudan Gelir” ve “K\u0131rk Ambar” adl\u0131 kitaplar\u0131n da aralar\u0131nda bulundu\u011fu \u00e7ok say\u0131da \u00f6nemli esere imza atan yazar, \u00e7evirmen, e\u011fitmen ve sosyolog Cemil Meri\u00e7’in vefat\u0131n\u0131n \u00fczerinden 36 y\u0131l ge\u00e7ti.<\/p>\n","protected":false},"author":1,"featured_media":97095,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[3695,5977,118,87,5557],"class_list":["post-97094","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-butun","tag-edebiyat","tag-eser","tag-turk","tag-yazar"],"_links":{"self":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/97094","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=97094"}],"version-history":[{"count":1,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/97094\/revisions"}],"predecessor-version":[{"id":97096,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/97094\/revisions\/97096"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/media\/97095"}],"wp:attachment":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=97094"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=97094"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=97094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\u201c\u00c7a\u011fda\u015fla\u015fmak elbette ki Avrupal\u0131la\u015fmakt\u0131r. Avrupal\u0131la\u015fmak yani yok olmak\u201d<\/strong><\/p>\n
Yazar ayr\u0131ca \u201cOn\u00fc\u00e7lerin Roman\u0131-Alt\u0131n G\u00f6zl\u00fc K\u0131z\u201d, \u201cOtuzundaki Kad\u0131n\u201d, \u201cOn\u00fc\u00e7lerin Roman\u0131-Ferragus\u201d, \u201cKibar Fahi\u015felerin \u0130hti\u015fam ve Sefaleti\u201d, \u201cHernani\u201d, \u201cMarion de Lorme\u201d, \u201cZiya G\u00f6kalp\/Hayat\u0131 ve Eserleri-T\u00fcrk Milliyet\u00e7ili\u011finin Temelleri\u201d, \u201cK\u00f6pr\u00fcden D\u00fc\u015fenler\u201d, \u201cDillerin Yap\u0131s\u0131 ve Geli\u015fmesi (Berke Vardar ile)\u201d ve \u201c\u0130slam\u2019\u0131n Miras\u0131-Bat\u0131y\u0131 B\u00fcy\u00fcleyen \u0130slam\u201d adl\u0131 eserlerin \u00e7evirisine imza att\u0131. (AA)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"