Osmanl\u0131 Sultan\u0131 Abd\u00fclaziz d\u00f6neminde 1869\u2019da \u201cM\u00fcze-yi H\u00fcmayun\u201d ad\u0131yla kurulan ve b\u00fcnyesinde \u201cArkeoloji M\u00fczesi\u201d, \u201cEski \u015eark Eserleri M\u00fczesi\u201d ve \u201c\u00c7inili K\u00f6\u015fk M\u00fczesi\u201d olmak \u00fczere \u00fc\u00e7 m\u00fczeyi bar\u0131nd\u0131ran kompleks, her y\u0131l 500 binin \u00fczerinde ziyaret\u00e7i a\u011f\u0131rl\u0131yor.<\/p>\n
M\u00fcze, yakla\u015f\u0131k 10 y\u0131l s\u00fcren, afetlere kar\u015f\u0131 g\u00fc\u00e7lendirme ve restorasyon \u00e7al\u0131\u015fmalar\u0131n\u0131n ard\u0131ndan ge\u00e7en y\u0131l yeniden ziyarete a\u00e7\u0131ld\u0131.<\/p>\n
\u0130lk olarak 1869\u2019da \u201cM\u00fcze-yi H\u00fcmayun\u201d (\u0130mparatorluk M\u00fczesi) ad\u0131yla kurulan \u0130stanbul Arkeoloji M\u00fczeleri, Aya \u0130rini Kilisesi\u2019nde o g\u00fcne kadar toplanm\u0131\u015f arkeolojik eserleri b\u00fcnyesinde bar\u0131nd\u0131rd\u0131.<\/p>\n
Binan\u0131n yak\u0131nlar\u0131ndaki \u00c7inili K\u00f6\u015fk 1880\u2019de m\u00fczenin yeni binas\u0131 olarak hizmete a\u00e7\u0131ld\u0131.<\/p>\n
Osman Hamdi Bey, Arkeoloji M\u00fczesi\u2019ni geli\u015ftirdi<\/strong><\/p>\n D\u00f6nemin Maarif Naz\u0131r\u0131 Saffet Pa\u015fa, m\u00fczeye yeni eserler kazand\u0131rmak i\u00e7in \u00e7aba sarf ederken, 1881\u2019de m\u00fcze m\u00fcd\u00fcrl\u00fc\u011f\u00fcne atanan Sadrazam Edhem Pa\u015fa\u2019n\u0131n o\u011flu ressam ve arkeolog Osman Hamdi Bey, hem Arkeoloji M\u00fczesinde hem T\u00fcrk m\u00fczecili\u011finde yeni bir d\u00f6nem ba\u015flatt\u0131.<\/p>\n Nemrud Da\u011f\u0131, Myrina, Kyme ve di\u011fer Aiolis B\u00f6lgesi Kentleri Nekropolleri ile Lagina Hekate Tap\u0131na\u011f\u0131\u2019nda kaz\u0131lar yapt\u0131ran Hamdi Bey, 1887-1888\u2019de Sayda\u2019da (Sidon) yapt\u0131\u011f\u0131 kaz\u0131lar sonucunda Sidon Kral Nekropol\u00fc\u2019ne ula\u015ft\u0131.<\/p>\n Hamdi Bey, kaz\u0131lar sonucu ula\u015ft\u0131\u011f\u0131 ve tarihi M.\u00d6 2. y\u00fczy\u0131la dayanan d\u00fcnyaca \u00fcnl\u00fc \u0130skender Lahdi ba\u015fta olmak \u00fczere pek \u00e7ok eseri m\u00fczede toplad\u0131.<\/p>\n Toplan\u0131lan eserlerin sergilenmesi i\u00e7in yeni bir m\u00fcze binas\u0131na ihtiya\u00e7 duyuldu ve Osman Hamdi Bey\u2019in iste\u011fi \u00fczerine \u00c7inili K\u00f6\u015fk\u2019\u00fcn kar\u015f\u0131s\u0131na d\u00f6nemin \u00fcnl\u00fc mimar\u0131 Alexandre Vallaury taraf\u0131ndan bug\u00fcnk\u00fc Arkeoloji M\u00fczesi binas\u0131 in\u015fa edilerek 13 Haziran 1891\u2019de ziyarete a\u00e7\u0131ld\u0131.<\/p>\n M\u00fczenin ziyarete a\u00e7\u0131ld\u0131\u011f\u0131 13 Haziran, T\u00fcrkiye\u2019de \u201cM\u00fczeciler G\u00fcn\u00fc\u201d olarak kutlan\u0131yor.<\/p>\n \u0130stanbul\u2019daki neo-klasik mimarinin \u00f6nemli \u00f6rneklerinden biri olan Arkeoloji M\u00fczesinin giri\u015finde Osmanl\u0131ca \u201cAsar-\u0131 Atika M\u00fczesi\u201d (Eski Eserler M\u00fczesi) ifadesi yer al\u0131yor.<\/p>\n 1907\u2019de bug\u00fcnk\u00fc halini ald\u0131<\/strong><\/p>\n M\u00fcze binas\u0131, 1903\u2019te kuzey ve 1907\u2019de g\u00fcney kanad\u0131n eklenmesi ile bug\u00fcnk\u00fc haline geldi.<\/p>\n Ana M\u00fcze binas\u0131n\u0131n g\u00fcney do\u011fu biti\u015fi\u011fine, yeni sergi salonlar\u0131na duyulan ihtiya\u00e7 nedeniyle 1969-1983\u2019te bir ilave yap\u0131ld\u0131 ve yeni b\u00f6l\u00fcm Ek Bina olarak adland\u0131r\u0131ld\u0131.<\/p>\n Arkaik \u00c7a\u011f\u2019dan Roma \u00c7a\u011f\u0131 sonuna kadar ge\u00e7en s\u00fcrece ait Didim-Milet Kutsal Yolu\u2019nun Brankhit heykelleri, Kore ve Kouros (gen\u00e7 k\u0131z ve erkek) heykelleri, Halikarnas Mozolesi\u2019ne ait Aslan Heykeli, \u00fcnl\u00fc Bergama Zeus Suna\u011f\u0131na ait Afrodit ba\u015f\u0131, B\u00fcy\u00fck \u0130skender portresi, Roma devrinin \u00fc\u00e7 b\u00fcy\u00fck mermer kenti Afrodisyas, Efes ve Milet\u2019te bulunan heykelt\u0131ra\u015fl\u0131k eserlerinin yer ald\u0131\u011f\u0131 bir\u00e7ok eser, m\u00fczede ziyaret\u00e7ilerin be\u011fenisine sunuluyor.<\/p>\n M\u00fcze kompleksine dahil \u00c7inili K\u00f6\u015fk M\u00fczesi\u2019nde ise T\u00fcrk-\u0130slam \u00e7ini ve seramik sanat\u0131na ait eserler b\u00f6lgesel ve kronolojik olarak sergileniyor.<\/p>\n Bu k\u0131s\u0131mda Sel\u00e7uklu ve Osmanl\u0131 d\u00f6nemlerine ait 2000 civar\u0131nda eser sergileniyor.<\/p>\n D\u00fcnyan\u0131n ilk yaz\u0131l\u0131 anla\u015fmas\u0131 Kade\u015f ve Babil Kenti\u2019nin surlar\u0131n\u0131 birle\u015ftiren \u0130\u015ftar Kap\u0131s\u0131 kabartmalar\u0131 da sergileniyor<\/strong><\/p>\n M\u00fcze kompleksinin di\u011fer k\u0131sm\u0131n\u0131 olu\u015fturan Eski \u015eark Eserleri M\u00fczesinde ise Anadolu ve Mezopotamya\u2019n\u0131n Yunan \u00f6ncesi, M\u0131s\u0131r ve Arap Yar\u0131madas\u0131\u2019n\u0131n \u0130slam \u00f6ncesi \u00e7a\u011flar\u0131na ait eserler bulunuyor.<\/p>\n Bu eserlerin \u00e7o\u011funlu\u011fu 19. y\u00fczy\u0131l sonunda ba\u015flay\u0131p, 1. D\u00fcnya Sava\u015f\u0131\u2019na kadar s\u00fcren arkeolojik kaz\u0131larda ortaya \u00e7\u0131kar\u0131larak, \u0130stanbul\u2019a getirildi.<\/p>\n Akad Kral\u0131 Naramsi\u2019nin Steli, d\u00fcnyan\u0131n ilk yaz\u0131l\u0131 anla\u015fmas\u0131 Kade\u015f ve Babil Kenti\u2019nin surlar\u0131n\u0131 birle\u015ftiren \u0130\u015ftar Kap\u0131s\u0131 kabartmalar\u0131 gibi e\u015fsiz eserlerin yan\u0131nda 75 bin \u00e7ivi yaz\u0131l\u0131 belge de Tablet Ar\u015fivi b\u00f6l\u00fcm\u00fcnde g\u00f6r\u00fclebiliyor.<\/p>\n T\u00fcrkiye\u2019deki arkeolojik kaz\u0131lar neticesinde bulunan yeni eserlerin de sergilendi\u011fi m\u00fczede te\u015fhir edilen 1 milyona yak\u0131n eser bulunuyor. (AA)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" T\u00fcrkiye’nin ilk m\u00fczesi olma \u00f6zelli\u011fini ta\u015f\u0131yan \u0130stanbul Arkeoloji M\u00fczeleri, b\u00fcnyesinde yer alan bir milyon par\u00e7aya yak\u0131n eseriyle Anadolu medeniyetlerinin tarihi ve k\u00fclt\u00fcrel miras\u0131n\u0131 yans\u0131t\u0131yor.<\/p>\n","protected":false},"author":1,"featured_media":97820,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[3217,118,9893,2506,622],"class_list":["post-97819","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-ait","tag-eser","tag-eserleri","tag-muze","tag-sergi"],"_links":{"self":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/97819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=97819"}],"version-history":[{"count":1,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/97819\/revisions"}],"predecessor-version":[{"id":97821,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/posts\/97819\/revisions\/97821"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=\/wp\/v2\/media\/97820"}],"wp:attachment":[{"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=97819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=97819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haberulus.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=97819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}